Tails Gets Trolled is the Epic of Gilgamesh of our age; it is the universal monomyth interpolated as postironic-postmodern pastiche. Its intricate, multilayered narrative endlessly doubles back upon itself, revealing the subtle complexities and absurdities of each character’s existence. Its plot is a radical disruption of Hegelian dialectics, an entropic unravelling of our simple-minded concepts of good and evil, thesis and antithesis. Above all, it is art, art in all its life-affirming glory.