in the future - u will be able to do some more stuff here,,,!! like pat catgirl- i mean um yeah... for now u can only see others's posts :c
I am looking forward to sharing the next chapter of the »Munich Session« with all of you.
»The place where they go« will be out this Friday. 🎹🎶🎬
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Here is a little #tb to the original Arkata Video. https://www.youtube.com/watch?v=EYpfy...
You can also watch Arkata in my Munich Session Version. https://www.youtube.com/watch?v=VTQGM...
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Very happy to be this weeks guest on OHNE DEN HYPE podcast. I hope you‘ll enjoy the chat! It’s out on all streaming services and here: https://www.youtube.com/watch?v=uxpN1...
I‘ll talk a little bit (in German) about my classical education, playing in punk bands, how I became a composer, experimenting with sound and different pianos and how intuition shapes my work as a pianist and composer.
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Happy to share my new video "Arkata" as part of the "Munich session" with all of you! Head over here to watch the full session:
https://www.youtube.com/watch?v=VTQGM...
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NEW VIDEO: I recorded "Today and it's gone" on a beautiful grand piano in the empty Kongresshalle in Munich filmed by Hauskonzerte. It is part of a 5-video series called "Munich Session", that I'll share with you in the coming months.
Watch the first full video here:
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Carlos Cipa is a composer/pianist who has built bridges between musical worlds. Having received classical training from the age of 6, in his teenage years he took a seat behind the drum kit. When he returned to the piano and started releasing his first albums in the early 2010s, his compositional approach as well as his playing were marked by the impressions that his musical detours had left on him.
After studying composition at the conservatory, he used his studio as an instrument on his electro-acoustic 2019 album »Retronyms,« and started focussing on his main instrument again—or more precisely instruments, plural. As a composer-performer, he integrates the different qualities of various pianos into his practice. For 2020’s »Correlations (on 11 pianos)« and 2023’s »Ourselves, as we are« as well as his interpretation of Hans Otte’s »The Book of Sounds,« he worked with different instruments in ways that are directly inspired by their acoustic specificities.