Say Plays Say: #morningpiano Winter Morning in İstanbul. Available on all platforms.
#sayinnewyork
Thank You New York 😍 #sayinnewyork #sayontheroad
Say, “Dünya Anne”
Solfeggietto in C Minor, Wq. 117/2
Say in Graz
Say in Luzern
Say in Zürich
#sayinjapan Tokorozawa Civic Cultural Centre Muse #280123
#sayinjapan Sumida Triphony Hall #290123
#sayinjapan Fazıl Say Plays Jazz at Blue Note Tokyo
#day1 #moments #fazilsay #fazılsay #sayontheroad #sayontour #moretohear 🎥 @studiokilic
#day1 #moments #fazilsay #fazılsay #sayontheroad #sayontour #moretohear 🎥 @studiokilic
#sayontheroad Upcoming Concerts
İklim Tamkan plays Say: Goldberg in İstanbul
#sayontheroad December 2022 🚗 ✈️ 🚉🚢❄️
Say in Stuttgart
Kopatchinskaja x Say in Bern
Say, İstanbul Symphony, Op. 28
#rehearsals Say, “Tree of Life”, Opus 100
Fazıl Say, Symphony No. 5 Premiere ~ Bremen, Germany
Le Coucou @ Apple 5th Avenue, New York
#enkasanat #sanatınengüzelhalleri
#portreler #fazılsay #bülentevcil #applemusic #dolbyatmos
Yani, öylesine ciddiye alacaksın ki yaşamayı, yetmişinde bile, mesela, zeytin dikeceksin.
Het Concertgebouw Amsterdam #25052022 #sayontheroad #fazılsay #fazilsay
Fazıl Say İzmir Konseri ~ 27 Ocak 2022 ~ Ahmed Adnan Saygun Sanat Merkezi
Fazıl Say Ankara Konseri - 16 Aralık 2021 - 20:30 TED Ankara Koleji, Ata Sahne
Fazıl Say Ankara Konseri ~ 16 Aralık 2021, 20:30 ~ TED Ankara Koleji, Ata Sahne
Fazıl Say Yıl Sonu Konserleri - 25 Aralık 2021 Cumartesi~ 16:00 & 21:00 - Volkswagen Arena, İstanbul
Say on the road / December 2015
Fazıl'ın haylaz kedisi Tomris nota yazımda.
Composing is always a form of improvisation: with ideas, with musical particles, with imaginary shapes. And it is in this sense that the artistic itinerary and the world-view of the Turkish composer and pianist Fazıl Say should be understood. For it was from the free forms with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer. Fazıl Say has been touching audiences and critics alike for more than twenty-five years in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something else. They are more direct, more open, more exciting; in short, they go straight to the heart. And the same may be said of his compositions.