03:04

Victor Young and color tones

03:50

Pauses

12:38

Why I love Stella by Starlight

06:25

Alternate layout of overlapping seconds

02:56

Disabling dynamics

04:53

Flat nine chords in Beethoven

03:16

Chord symbol playback - Jazz style

05:16

The many faces of major sixth chords

06:02

Why appoggiaturas?

04:46

Harmonizing 3-2-1

01:31

Adding space between measures

03:41

Grace note types

01:38

Adding space below the title

06:00

Syncopating a melody

06:11

Chipmunk harmony

06:15

Pasting lyrics from the clipboard

01:58

Changing the chord symbol playback sound

06:46

Oohs and aahs

04:06

Four bars per system

07:03

Too many chords

07:47

Editorial decisions

02:18

Copying articulations

03:08

Gradual tempo changes and "a tempo"

05:15

Room for one more

05:06

Primary triads

04:03

Chord symbol navigation

06:43

Walking from V to I in four steps

02:47

Adding measures and pages

05:42

"Für Elise" form

04:13

Mid-measure repeats

05:50

How many themes do you need?

03:49

Slur versus tie

05:33

Alberti bass

06:08

Special characters

16:37

"I Remember Clifford" melodic analysis

04:04

Multimeasure rests

06:22

The impact of harmony and rhythm on melody

04:12

Dynamics, voices, and staves

04:08

Sentence structure

02:28

Parts

02:31

Period structure

02:40

Swells and other lines within sustained notes

04:31

Using your outside voices

03:54

Publish to MuseScore.com

05:12

Harp pedal diagrams

10:16

Planning harp pedal changes

04:02

Orchestrating a low register melody

05:43

Hiding empty staves

06:21

Orchestrating "pianistic" accompaniment

05:15

Annotations

04:39

Orchestrated dynamics

01:50

Applying markings to multiple instruments at once

16:33

Six idiosyncracies of writing for horn

04:27

Local and non-transposing key signatures

04:57

Range warnings

10:29

Orchestral instrument ranges

04:11

Replacing instruments

07:05

Three meanings of "transcription"

03:29

Cross-staff notation

04:47

Tonal answer