Welcoem to posts!!
in the future - u will be able to do some more stuff here,,,!! like pat catgirl- i mean um yeah... for now u can only see others's posts :c
Well hello! A short explanation of why the channel has changed from being one that documents all my close passes on my ride to work - to being a completely different one. In short, I'm not riding any more, due to a close pass that came closer than I would ever like to think. Unfortunately on that occasion there was no camera. However, now, a year later, I'm back up and running, onwards and upwards! Thank you all for your understanding.
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Rod Stewart: Sailing
www.youtube.com/shorts/xGyy-F...
"Sailing" is a song recorded by Rod Stewart for his album "Atlantic Crossing," which was his first album recorded in North America. The album was produced by Tom Dowd and recorded at Muscle Shoals Sound Studio from April to June 1975.
As the first single from the album, "Sailing" became an international hit, particularly in the UK, where it reached the number one position on the charts for four weeks in September 1975. The song's success in the UK was significant, making it Stewart's biggest single hit in the country. The song's popularity in the UK led to its return to the UK charts in 1976 and 1987, although with less success compared to its initial release.
Interestingly, despite its success in the UK, "Sailing" was not a hit in the United States, Stewart's newly adopted homeland. The song failed to make a significant impact on the US charts.
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Earth, Wind & Fire: Boogie Wonderland
www.youtube.com/shorts/ieH0LC...
"Boogie Wonderland" is a song composed by Allee Willis and Jon Lind, and it was produced by Earth, Wind & Fire (EWF) leader Maurice White and Al McKay.
The song received positive critical reception. Rose Riggins of Gannett praised "Boogie Wonderland" as more than just an average pop song. She described it as an exploration of the experiences at house parties and discos, where people aspire to be the disco queen or king but don't always get the spotlight they desire. The song's lyrics convey the desire to dance away the hurt and disappointment. Riggins also highlighted the blazing horns that have become a trademark of EWF's hits. Teaming up with the talented vocal group the Emotions, EWF created a song that, in Riggins' view, would join the ranks of their past hits like "Mighty Mighty," "Getaway," "Fantasy," and "September."
Dave Marsh of Rolling Stone praised Maurice White's ability to find fresh possibilities within simple dance formulas, using "Boogie Wonderland" as an example of his creative approach.
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Queen: Somebody to Love
www.youtube.com/shorts/XMuqwO...
"Somebody to Love" is a song by the British rock band Queen, written by lead singer and pianist Freddie Mercury. It was first released on the band's 1976 album "A Day at the Races" and later included on their 1981 compilation album "Greatest Hits."
The song features complex harmonies and guitar solos, reminiscent of Queen's earlier hit "Bohemian Rhapsody." However, instead of emulating an English choir as they did in "Bohemian Rhapsody," the band incorporated a gospel choir for "Somebody to Love." The song reached number 2 on the UK Singles Chart and number 13 on the Billboard Hot 100 in the US.
Mercury wrote "Somebody to Love" at the piano, and it is a soul-searching piece that delves into questions about the role of God in a life without love. Using voice layering techniques, Queen achieved the sound of a 100-voice gospel choir with just three singers: Mercury, Brian May, and Roger Taylor. Bassist John Deacon did not sing backing vocals on the recorded album.
Mercury's admiration for Aretha Franklin was a significant influence in the creation of "Somebody to Love." The song's powerful and soulful delivery reflects his fascination with Franklin's vocal prowess.
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Fleetwood Mac: Rhiannon
www.youtube.com/shorts/Zg1XA4...
"Rhiannon" is a song written by Stevie Nicks and originally recorded by Fleetwood Mac. It was included on their 1975 self-titled album and released as a single the following year. The song showcases Nicks' haunting vocals and tells the story of a mythical Welsh witch or goddess named Rhiannon.
In the United States, "Rhiannon" peaked at number 11 on the charts in June 1976, becoming one of Fleetwood Mac's early hits. In the UK, it reached number 46 during its re-release in February 1978.
The song has since become a classic and is highly regarded by music critics. Rolling Stone magazine included "Rhiannon" at number 488 on their list of the 500 Greatest Songs of All Time. It also ranked at number six on their list of the 50 greatest Fleetwood Mac songs.
When performed live, Nicks often introduced the song as being about an old Welsh witch, adding an air of mystique to the performance. The live versions of "Rhiannon" during Fleetwood Mac's concerts in the 1970s were known for their theatrical intensity, with Nicks delivering passionate vocals that captivated audiences.
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Abba: Gimme Gimme Gimme
www.youtube.com/shorts/gqNPDn...
"Gimme! Gimme! Gimme! (A Man After Midnight)" is a song written by Benny Andersson and Björn Ulvaeus of the Swedish pop group ABBA. The lead vocal is performed by Agnetha Fältskog. The song was released in 1979 as a single and later included on ABBA's album "Voulez-Vous."
The song portrays the feelings of a lonely woman yearning for a romantic relationship. Fältskog sings from the perspective of the narrator, describing her longing for a partner and the darkness of her solitude. She contrasts her own reality with the seemingly perfect lives of movie stars and their happy endings. The use of the ARP Odyssey synthesizer adds a distinctive sound to the song, particularly in the melody line.
"Gimme! Gimme! Gimme! (A Man After Midnight)" showcases ABBA's signature catchy pop sound, blending catchy melodies, strong harmonies, and heartfelt lyrics. It became a successful hit for the group, reaching high chart positions in several countries, including the UK, Australia, and many European markets.
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Franki Valli and the Four Seasons: Oh What a Night!
www.youtube.com/shorts/eTg8cH...
The Four Seasons opened 1976 atop the Billboard chart with their fifth #1 single, "December, 1963 (Oh, What a Night)", co-written by Bob Gaudio and his future wife, Judy Parker. The single also hit number one in the United Kingdom. "December, 1963 (Oh, What a Night)" had Polci singing lead on the verses, Ciccone featured on specific sections, and Valli on lead vocals only on the two bridge sections and backup vocals on the chorus.
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Lynsey de Paul, www.youtube.com/shorts/8HepXo... born as Lyndsey Monckton Rubin on June 11, 1948, was an English singer-songwriter, producer, and multi-talented artist. She initially gained recognition for writing hit songs for other artists before achieving success with her own music in the 1970s.
De Paul's breakthrough came with the release of her UK top 10 single "Sugar Me," which became a hit in the UK and across Europe. In 1972, she made history by becoming the first British female artist to reach number one in Belgium, Spain, and the Netherlands with a self-written song. Her songwriting and singing skills propelled her to further success, and she represented the UK in the 1977 Eurovision Song Contest.
Throughout her career, Lynsey de Paul had several chart-topping hits in different countries, including Switzerland. She was also a two-time Ivor Novello Award winner, recognizing her achievements as a composer and songwriter. In addition to her music career, she was involved in acting and television work, making her a well-known celebrity in the entertainment industry.
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"Brand New Key" www.youtube.com/shorts/t0WTs6... is a pop song written and performed by American folk music singer Melanie Safka, known simply as Melanie. It was released as a track on Melanie's album Gather Me, which was produced by her husband, Peter Schekeryk. The song is also commonly referred to as "The Rollerskate Song" due to its catchy chorus.
"Brand New Key" became Melanie's biggest hit, reaching number one on the Billboard Hot 100 singles chart in December 1971 and January 1972. It was also ranked as the ninth best-performing song of 1972 by Billboard. The song achieved similar success in other countries, topping the charts in Canada and Australia, and reaching number four on the UK Singles Chart.
The song is sung from the perspective of a girl on roller skates who is trying to catch the attention of a boy. Melanie's unique and spirited vocal performance adds to the charm of the song.
According to Melanie's account in an interview with Examiner.com, she claimed that the inspiration for the song came to her after breaking a 27-day water fast. While returning from a flea market in New Jersey, the aroma of a McDonald's triggered a flood of childhood memories, including roller skating and learning to ride a bike with her father's support. The song's lyrics and melody came to her soon after that experience.
"Brand New Key" remains a well-known and beloved song from the early 1970s, reflecting Melanie's distinctive style and capturing a nostalgic and playful spirit.
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"Ben" www.youtube.com/shorts/tKCD-1... is a song written by Don Black and Walter Scharf for the 1972 film of the same name, which served as a spin-off to the killer rat film "Willard" released in 1971. The song was performed by Lee Montgomery in the film, and Michael Jackson recorded his own version for the closing credits. Jackson's single was released by Motown in 1972 and achieved significant success.
In the United States, "Ben" topped the Billboard Hot 100 chart for one week, marking Jackson's first solo number one single. It was a breakthrough moment for him as a solo artist. The song was also ranked as the 20th best-performing song of 1972 by Billboard. In Australia, it reached number one on the ARIA Charts and remained at the top spot for eight weeks. In the UK, it peaked at number 7 on the UK Singles Chart.
"Ben" received critical acclaim and won a Golden Globe for Best Original Song. It was also nominated for an Academy Award for Best Original Song in 1973, although it lost to "The Morning After" by Maureen McGovern from the film "The Poseidon Adventure." During the Oscars ceremony, Jackson lip-synced to the song, possibly due to changes in his vocal range since its recording.
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