08:03

TALK AT REVOLUTION GALLERY: part 1/8 | REVIVING CLASSICAL ART | MY EXPERIENCE TEACHING IN BANGLADESH

12:16

TETRALOGY: SCINTILLATIONS OF THE HEAVENLY CLOAK | CHURCH OF SAINT VINCENT | ÉVORA - PORTUGAL

02:33

BARGUE DRAWING COURSE IN LISBON, HOUSE-MUSEUM DR. ANASTÁCIO GONÇALVES (JOSÉ MALHOA'S FORMER STUDIO)

00:45

BLUE PAINTINGS | GRANULATION IN WATERCOLOURS

01:52

MY PAINTING AT CAFÉ A BRASILEIRA, LISBON | HOMAGE TO FERNANDO PESSOA | TRACE AND SEMBLANCE OF MYSELF

01:19:28

The Passion of Joan of Arc | 1928 | Silent Film HD | Carl Theodor Dreyer

01:17:52

The Colour of the Pomegranates | Sergei Parajanov | 4K | Subtitled | Original name: Sayat-Nova

02:03

My artwork entered the Permanent Collection of the Monastery of Batalha | UNESCO World Heritage Site

00:56

Bertha Wegmann | Portrait of the Swedish painter Jeanna Bauck | 1887 | Oil on Panel

00:59

Alfred-Jacques Boisson (1866-1947) | Academic Male Nude | Oil Painting

01:42

Jean-Eugène Buland - Academic Nude Painting | École des Beaux-Arts de Paris

01:51

WINTER ATELIER IN LISBON, AT THE HOUSE MUSEUM DR. ANASTÁCIO GONÇALVES (FORMER STUDIO OF JOSÉ MALHOA)

00:47

Henrique Pousão - Academic Drawing of Ornamental Scupture 1881 | École des Beaux-Arts | FBAUP

01:08

José Malhoa - The Drunks | 1907 | MNAC - National Museum of Contemporary Art + José Malhoa Museum

01:11

Henrique Pousão - Academic Drawing 1881 | Morning class of Alexandre Cabanel | École des Beaux-Arts

07:41

Artist Lucille Dweck describes her creative process

05:57

OUR LADY OF ALMURTÃO - FOLK SONG FROM PORTUGAL | CÁTIA ALHANDRA / RICARDO MARTINS | ACOUSTIC VERSION

05:15

EDERLEZI - SERBIAN ROMANI SONG, FOR ST. GEORGE | CÁTIA ALHANDRA / RICARDO MARTINS | ACOUSTIC VERSION

02:58

LAMMA BADA YATATHANNA لما بدا يتثنى | CÁTIA ALHANDRA / RICARDO MARTINS | UNPLUGGED

03:48

FADO - LONGING FOR BRAZIL IN PORTUGAL | CÁTIA ALHANDRA / RICARDO MARTINS | UNPLUGGED

04:43

VERDES ANOS [GREEN YEARS] | CÁTIA ALHANDRA / RICARDO MARTINS | UNPLUGGED | CLOSING OF MY EXHIBITION

02:16

8- YOU ARE THE SOURCE OF LIGHT FOR PLATIGLEAM PAINTINGS | RUMI | NEPAL ACADEMY OF FINE ARTS

04:24

7- MUSICAL INFLUENCES FOR PLATIGLEAM PAINTINGS | FADO AND PORTUGUESE POETRY | NEPAL ACADEMY FINE ART

14:23

6- MUSICAL INFLUENCES FOR PLATIGLEAM PAINTINGS | BACH: MASS IN B MINOR | NEPAL ACADEMY OF FINE ARTS

02:44

5- CHRISTIAN EPISTEMOLOGY | CATAPHATIC VS APOPHATIC THEOLOGY | NEPAL ACADEMY OF FINE ARTS

04:11

4- DIONYSIUS AREOPAGITE | SOCRATIC WISDOM | PYTHIA | ORACLE OF DELPHI | NEPAL ACADEMY OF FINE ARTS

04:10

3- PSEUDO-DIONYSIUS THE AREOPAGITE | DAZZLING DARKNESS | NEPAL ACADEMY OF FINE ARTS

05:32

2- GOETHE VS NEWTON | BLACK SPECTRUM | NO UNIFIED THEORY IN SCIENCE | NEPAL ACADEMY OF FINE ARTS

03:36

1- METAPHOR VS SCIENTIFIC REALITY | YIN YANG | PLATIGLEAM | NAFA - NEPAL ACADEMY OF FINE ARTS

03:19

17- WHY I LOVE 19TH CENTURY ACADEMIC ART | TALK IN DHAKA UNIVERSITY | BANGLADESH

03:51

16- THREE APPROACHES TO ART | PSYCHOTIC, NARCISSISTIC, SCHIZOID | TALK IN DHAKA UNIVERSITY

02:17

15- WHAT IS ART? | ART IS NOT 'EMOTIONALISM' | TALK IN BANGLADESH | DHAKA UNIVERSITY

02:07

14- WHY I PAINT THE NIGHT | BLACK VELVET SERIES | TALK IN BANGLADESH | DHAKA UNIVERSITY

02:23

13- BLUE SYMBOLISM + POST-CONTEMPORARY | CONTEMPORARY DIED | TALK IN BANGLADESH | DHAKA UNIVERSITY

01:53

12- DEPRESSION RATES & BLUE PAINTINGS OF 'THE EXILED' | | TALK IN BANGLADESH | DHAKA UNIVERSITY

00:30

11- PLATIGLEAM | SECRET METHOD OF PAINTING WITHOUT PAINT | TALK IN BANGLADESH | DHAKA UNIVERSITY

01:11

10- SUPPORTS USED FOR MY BLUE PAINTINGS AT MNAC | TALK IN BANGLADESH | DHAKA UNIVERSITY

00:34

Meeting with Ithra Museum directors | PlatiGleam paintings of Batalha Monastery touring Saudi Arabia

04:30

9- NOCTURNAL LIGHTSCAPES | PLATIGLEAM PAINTINGS | TALK IN BANGLADESH | DHAKA UNIVERSITY

03:13

8- FILM AZUL NO AZUL BY GIANMARCO DONAGGIO | BLUE DRIPPING | TALK IN BANGLADESH | DHAKA UNIVERSITY

01:47

7- BLUE PAINTINGS OF 'THE EXILED' | DRIPPING | TALK IN BANGLADESH | DHAKA UNIVERSITY

02:08

6- PLATIGLEAM | THE ARTISTS WAY | NON-INSTRAGRAMMABLE SERIES | TALK IN BANGLADESH | DHAKA UNIVERSITY

08:55

5- BLACK VELVET SERIES AFTER 'THE EXILED' BY SOARES DOS REIS | TALK IN BANGLADESH | DHAKA UNIVERSITY

01:20

Collaboration with Deer Perfumer | PlatiGleam paintings + special edition of a royal fragrance

02:58

4- BLUE PIGMENTS + HUMAN ALIENATION | TALK IN BANGLADESH | RESIDENCY AT PORTUGAL'S NATIONAL MUSEUM

02:17

3- BLUE AND ITS SYMBOLISM | TALK IN BANGLADESH | MY RESIDENCY AT PORTUGAL'S NATIONAL MUSEUM

00:10

PlatiGleam paintings that react to light | outside ATHR gallery + Design Space | AlUla, Saudi Arabia

02:45

2- COVID + ZOMBIFIED SOCIETY | TALK IN BANGLADESH | MY RESIDENCY AT PORTUGAL'S NATIONAL MUSEUM

02:17

1- TALK IN BANGLADESH | PLATIGLEAM EXHIBITION | CHARUKOLA - FACULTY OF FINE ARTS OF DHAKA UNIVERSITY

16:57

Airline LOST MY PAINTINGS | The Society of the spectacle | Talk about art and well-being at KAUST

04:25

6- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

05:24

5- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

02:33

4- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

03:12

3- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

03:12

2- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

02:11

1- WHY CLASSICAL TECHNIQUE IS FUNDAMENTAL | BARGUE DRAWING COURSE | KAUST - KING ABDULLAH UNIVERSITY

06:17

Automobile Museum Tatra | Kopřivnice, Czech Republic

00:20

PlatiGleam pop-up exhibition at one of Nepal's most iconic places | Patan Durbar Square

00:14

Watch until the end: PlatiGleam painting WITH and WITHOUT the torch on

01:15

PAINTING SAND MANDALAS | HOW TO USE A TIBETAN CHAK-PUR | LESSON WITH PRANAY TAMANG IN NEPAL