15:37

Harman PHOENIX 120 | Summer of Phoenix

15:12

KONO Delight Art II 400 & Special Effects Films | FILM ROLL REVIEW

15:49

EXTREME Macro Photography with 35mm Film

18:23

Shooting Instax with a POLAROID LAND CAMERA | Instax Square EXO

56:47

Talking Experimental Photography with Pablo Giori | EXPERIMENTAL PHOTO FESTIVAL

34:45

This Movie Camera Was in World War 2 | EYEMO 35mm

13:21

My Summer of PLUS-X | Black & White Film

13:37

The FUJI GW680 | A Jumbo Film Camera

18:21

HARMAN PHOENIX 200 in New York | A Completely New 35mm Colour Film

21:45

Negative Supply Essential 35mm Film Scanning Kit | CAMERA SCANNING COMPARISON

15:06

Transferring 16mm Film at Home with a modified Projector | FILM-DIGITAL

19:09

Developing 16MM TRI-X Reversal Film at Home

16:35

ORWO NC400 & NC500 | New Color Films

46:12

70mm: From Oklahoma to Oppenheimer (Or, How Very Big Film Was Used to Make Very Big Movies)

12:45

Superia 1600, Portra 800 & Cinestill 800 | High ISO Color Films

13:25

Bleaching & Printing FP-100C Negatives | NEGATIVES FROM INSTANT FILM

17:08

This POLAROID Camera was meant for taking passport photos

36:30

Aaton XTR PROD Super 16mm Camera | COMPLETE OVERVIEW

03:59

Where the Curbside Junk Disappears To | 16mm Short Film

22:21

HP5 at 3200 & DARKROOM PRINTING | Black and White Film at Night

31:52

I Developed 16mm Film Without A Lab | FILMOMAT DEVELOPING TANK

06:56

Kodak AEROCOLOR as Slide Film | SantaColor 100

18:12

I Used This Projector to Digitize SUPER 8 Film at Home | FILM-DIGITAL

24:40

Developing SLIDE FILM at Home with the CINESTILL E6 Kit

10:36

The INTREPID 4x5 | Large Format Film Camera

12:43

The POLAROID SLR 680 | Expensive Polaroid Camera vs Cheap

13:54

Stereoscopic Film Photography with the MINUTA STEREO Pinhole Camera

08:12

Using a 1930's MOVIE Camera | 16mm Magazine Film By The FILM PHOTOGRAPHY PROJECT

13:49

The NIKON R10 | A Fantastic SUPER 8 Camera

23:08

Scanning SUPER 8 at Home with The WOLVERINE MOVIEMAKER-PRO | REVIEW

10:09

ADOX COLOR MISSION 200 | A Bright Future For Color Film?

10:47

Kodak's Super 8 TRI-X | A Classic Black and White Film

09:49

LomoChrome PURPLE | The Most...Purple Film There Is

10:10

Instax Wide with a 4x5 Camera | The LOMOGRAFLOK

11:16

The Polaroid BIG SHOT | Plastic Fantastic

13:05

1990s Film Cameras Rock

25:18

The Basics of 4x5 Film Photography | LARGE FORMAT FILM

13:40

The Kodak SLIDE N SCAN | Film Scanner Review

09:23

The Adventures of Felt-Boy & Meat-Sack | A Super 8 Short Film

15:09

KODAK 3378 16mm | High Contrast Black & White

09:29

ROBO GUNDERSON | A Super 8 Short Film

16:59

Developing ECN Film at Home | Stills on CINEMA FILM

14:54

Is CineStill 800T Worth All The Hype?

08:28

Rollei SUPERPAN 200 | Roll Review

04:50

SEWER KIDS | A Super 8 Short Film

09:29

Kodak DOUBLE-X Black & White | Stills with CINEMA FILM

12:33

Scanning Film with the SLIDESNAP STRIP

12:09

CINESTILL TCS1000 Review | Film Developing Made Easier

09:22

PORTRA 400 - The Film of a Generation?

12:46

The Lo-Fi Charm of 110 Film | LOMO TIGER 200

26:30

BLACK & WHITE REVERSAL Developing Without a Kit | Slides from Negative Film

11:25

Making a Short Film with Super 8 | STRAIGHT 8 FILM FESTIVAL

09:04

Expired SUPERIA 800 & An Analog Year in Review

09:41

INSTAX WIDE in a 1960's Polaroid Camera

15:40

Nitrate Fires & Movie Vaults: Films LOST and FOUND

13:59

Capturing the Unseen with INFRARED Ektachrome Film

08:28

Kodak's Super 8 EKTACHROME is Beautiful

06:48

Portra 400 at Ontario Place in a CIRO-FLEX TLR

19:14

Beginners Guide to PUSH & PULL Developing Black and White Film

27:28

Developing COLOR FILM at Home for Complete Beginners