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@UCIw-erelMkjNPTfk-X2vT5w@youtube.com

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A YouTube channel dedicated to my Film Analysis classes. The


23:47
Within Our Gates (1920), dir. Oscar Micheaux: "Sylvia's Story"
08:08
Neighbours (1952), dir. Norman McLaren
01:02
Katsudō Shashin (1907)
03:24
Kustom Kar Kommandos (1965), dir. Kenneth Anger
03:15
Mothlight (1963), dir. Stan Brakhage
01:37
Little Nemo (1911), dir. Winsor McCay
04:22
French New Wave: The Umbrellas of Cherbourg (1964), dir. Jacques Demy
03:29
French New Wave: Breathless (1959), dir. Jean-Luc Godard
03:37
Italian Neorealism: Bicycle Thieves (1948), dir. Vittorio De Sica
01:51
Mise-en-scène: Lighting (in Hereditary (2018), dir. Ari Aster)
02:36
The Jazz Singer (1927), dir. Alan Crosland: "Blue Skies"
02:46
The Dickson Experimental Sound Film (1894/95), dir. W.K.L. Dickson
00:50
Sound: Sound Perspective (in Touch of Evil (1958), dir. Orson Welles)
00:30
Sound: Musical Motif, Part 2 (in Titanic (1997), dir. James Cameron)
01:08
Sound: Musical Motif, Part 1 (in Titanic (1997), dir. James Cameron)
00:12
Quiz #5: Sound - The Silence of the Lambs (1991), dir. Jonathan Demme
00:36
Sound: Asynchronous Sound (in Singin' in the Rain (1952), dir. Gene Kelly and Stanley Donen)
00:18
Sound: Internal Diegetic Sound (in Shock Corridor (1963), dir. Samuel Fuller)
01:06
Sound: Rhythm (in Reservoir Dogs (1992), dir. Quentin Tarantino)
00:30
Sound: External Diegetic Sound (in Lost in Translation (2003), dir. Sofia Coppola)
00:18
Sound: Diegetic Sound (in Losing Ground (1982), dir. Kathleen Collins)
00:36
Sound: Dialogue Overlap (in Eternal Sunshine of the Spotless Mind (2004), dir. Michel Gondry)
00:14
Sound: Non-simultaneous Sound (in Days of Heaven (1978), dir. Terrence Malick)
00:30
Sound: Non-diegetic Sound (in Brazil (1985), dir. Terry Gilliam)
00:28
Sound: Offscreen Sound (in Blow Out (1981), dir. Brian De Palma)
00:30
Sound: Fidelity (in Arrival (2016), dir. Denis Villeneuve)
00:19
Sound: Onscreen Sound (in A Man Escaped (1956), dir. Robert Bresson)
15:50
Un chien andalou (1929), dir. Luis Buñuel and Salvador Dalí
00:46
Editing: Kuleshov Effect
05:49
Man with a Movie Camera (1929), dir. Dziga Vertov: “Morning”
03:31
Casablanca (1942), dir. Michael Curtiz: “La Marseillaise”
04:24
Casablanca (1942), dir. Michael Curtiz: “Rick and Ilsa Reunite”
04:17
Battleship Potemkin (1926), dir. Sergei Eisenstein: "Odessa Steps"
00:21
Editing: Rhythmic Relations (in Whiplash (2014), dir. Damien Chazelle)
00:36
Continuity Editing: Establishing Shot (in The Social Network (2010), dir. David Fincher)
00:26
Editing: Crosscutting (in The Silence of the Lambs (1991), dir. Jonathan Demme)
00:43
Continuity Editing: Shot / Reverse-Shot (in The Farewell (2019), dir. Lulu Wang)
00:13
Editing: Graphically Discontinuous (in The Birds (1963), dir. Alfred Hitchcock)
00:28
Editing: Fade-Out / Fade-In (in The Apartment (1960), dir. Billy Wilder)
00:12
Editing: Graphically Continuous (in Tampopo (1985), dir. Juzo Itami)
00:05
Editing: Wipe (in Star Wars: Episode IV - A New Hope (1977), dir. George Lucas)
00:45
Editing: Montage Sequence (in Spider-Man: Into the Spider-Verse (2018), dir. Bob Perischetti et al.)
00:13
Editing: Dissolve (in Spaceballs (1987), dir. Mel Brooks)
00:10
Editing: Cut (in Sleepless in Seattle (1993), dir. Nora Ephron)
00:30
Editing: Constructive Editing (in Contagion (2011), dir. Steven Soderbergh)
00:13
Editing: Point-of-View (POV) Cutting (in Rear Window (1954), dir. Alfred Hitchcock)
00:22
Editing: Overlapping Editing (in Police Story (1985), dir. Jackie Chan)
00:47
Editing: Analytical Editing (in Pan's Labyrinth (2006), dir. Guillermo del Toro)
00:41
Continuity Editing: The 180-Degree Rule (in Lady Bird (2017), dir. Greta Gerwig)
01:15
Editing: Elliptical Editing (in L'Argent (1983), dir. Robert Bresson)
00:09
Continuity Editing: Eyeline Match (in Jurassic Park (1993), dir. Steven Spielberg)
00:29
Continuity Editing: Breaking the 180-Degree Rule (in Da 5 Bloods (2020), dir. Spike Lee)
00:05
Continuity Editing: Match on Action (in Bonnie and Clyde (1967), dir. Arthur Penn)
00:16
Editing: Graphic Match (in 2001: A Space Odyssey (1968), dir. Stanley Kubrick)
00:10
Camera Movement: Tilt (in Who's Afraid of Virginia Woolf? (1966), dir. Mike Nichols)
00:27
Camera Movement: Handheld Camera (in Grey Gardens (1975), dir. Albert and David Maysles)
00:15
Camera Movement: Tracking (or Dolly) Shot (in Full Metal Jacket (1987), dir. Stanley Kubrick)
00:04
Camera Movements: Pan (in An Angel at My Table (1990), dir. Jane Campion)
00:07
Depth of Field: Rack Focus (in The Master (2012), dir. Paul Thomas Anderson)
02:48
Perspective: Zoom (in The Conversation (1974), dir. Francis Ford Coppola)