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0143ab93_videojs8_1563605 licensed under gpl3-or-later
Views : 60,106
Genre: Entertainment
Uploaded At Nov 7, 2024 ^^
warning: returnyoutubedislikes may not be accurate, this is just an estiment ehe :3
Rating : 4.866 (149/4,286 LTDR)
96.64% of the users lieked the video!!
3.36% of the users dislieked the video!!
User score: 94.96- Overwhelmingly Positive
RYD date created : 2024-11-22T12:48:09.342508Z
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Top Comments of this video!! :3
How are they ugly? Iām sure those people lived the insanity difficult lives and presented themselves the best they could. They were surviving, not thriving.
Reminds me of a quote āThe straight line is godless. The straight line is an obsession with perfection and perfection is an unattainable conceit.ā -Guillermo Del Toro
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I love Gustave Courbet, I live in his hometown, Ornans in Franche-ComtƩ. All my school trips went to the Courbet museum in this city. I will remember all my life when there was a temporary exhibition at the Louvre and I went to see it. I saw in real life, the origin of the world, the self-portrait, a funeral in Ornans, the bathers, the injured man.... In addition, recently, there was an exhibition on Manet at the BesanƧon museum , I saw the painting where Courbet and Manet had a picnic together. Just magnificent!
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I honestly think itās very lovely. It shows the darkness and mundaneness of life. The religious symbols are very minimal aka what it looks like in daily life.
I think it makes the scene all the more holy: sometimes religion is just a tiny light within that helps you keep going through all the darkness and hard times
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@NoTabooPaintings
2 weeks ago
FAST EXPLENATION š
Courbetās A Burial at OrnansĀ (1849-50) sparked intense controversy for its monumental size, which was traditionally reserved for heroic or religious themes. Depicting an ordinary rural funeral on such a grand scale, the painting challenged academic norms, shocking audiences and critics alike.
The paintingās realistic portrayal of unidealized, everyday people was seen as unrefined and āugly,ā with critics disliking the crowded, disorganized composition and lack of a focal point.
Critics also disapproved of the paintingās impiety; funeral scenes typically conveyed religious reverence, but Courbetās version portrayed the attendees as indifferent, with clergy appearing detached from the ceremony. The prominent crucifix, seemingly disregarded by those present, led some to see the painting as a critique of declining religious faith in France.
While initially met with outrage,Ā A Burial at OrnansĀ later earned praise for its realistic approach and helped establish Courbet as a leading figure in French Realism, inspiring future artists to explore new themes and techniques
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