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Genre: Entertainment
Uploaded At Oct 28, 2024 ^^
warning: returnyoutubedislikes may not be accurate, this is just an estiment ehe :3
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User score: 99.08- Masterpiece Video
RYD date created : 2024-11-22T08:37:12.615648Z
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Top Comments of this video!! :3
Okay, back then, when paintings were made, they would exaggerate the height or beauty of the person in order to make them look good. Even Queen Elizabeth had this done because she is short, but in her portraits, she is portrayed as elegant and tall when in reality, she was elegant but not tall, so yes, these paintings are exaggerated. Like babies in old portraits that looks like old people you see where i'm getting at?
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@NoTabooPaintings
3 weeks ago
TRUTH HERE
The myth that Napoleon was short arose largely from British propaganda. His nickname, âLe Petit Caporalâ (The Little Corporal), was actually an endearing term given by his soldiers, not a commentary on his height. In reality, Napoleon was around 5'6" to 5'7" (168â170 cm), which was typical for Frenchmen of the time. However, British satirists, like cartoonist James Gillray, depicted him as childishly small, often exaggerating his short stature as a way to diminish his power and reputation. This portrayal stuck, giving rise to the lasting âshort Napoleonâ myth.
BUT this channel is not about nonsense like someone's height but about paintings. And briefly about one I saw myself last summer in Vienna.
One of the most enduring images of Napoleon is Napoleon Crossing the Alps by Jacques-Louis David, painted initially in 1801. Commissioned by Charles IV of Spain to commemorate Napoleonâs victory at the Battle of Marengo (1800), this dramatic painting shows Napoleon leading his troops through the Alps on a rearing stallion. His windswept hair, billowing cape, and steady gaze depict him as a heroic and almost mythical figure. So impressed by Davidâs work, Napoleon requested three additional copies, completed between 1801 and 1805, each version held in different European locations: Charlottenburg Palace (Berlin), Château de Saint-Cloud (Versailles), Belvedere (Vienna), and the Château de Malmaison. The painting became an iconic symbol of Napoleonâs ambition and leadership, reproduced widely in prints and inspiring other artists for years to come.
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