Dancehall 972 Mai 2017
151 videos • 12,120 views • by DM 972 Dancehall 972 Mai 2017, dancehall 972, dancehall martinique, dancehall 2017 , dancehall mix 2017, dancehall mix, dancehall music, dancehall 2017 martinique, dancehall 2017 nouveauté, dancehall reggae, dancehall riddim, dancehall best, dancehall and reggae, dancehall and soca, dancehall beats, dancehall battle, dancehall queen, dancehall video, dancehall songs, dancehall dance, Buju Banton, Bounty Killer, Dennis Brown, Dub Incorporation, Capleton, Culcha Candela, Cocoa Tea, Elephant man, Marcia Griffiths, Half Pint, Beres Hammond, Barrington Levy, Mad Cobra, Freddie McGregor, Mr. Vegas, Ninjaman, Patra, Frankie Paul, Maxi Priest, Shabba Ranks, Shaggy, Sean Paul, Garnett Silk, Super Cat, Tiger, Yellowman, Don Yute, Vybz Kartel, T.O.K, Konshens, Tommy Lee Sparta, Mavado, Aidonia, I-OCTANE, Charly Black, Popcaan, Busy Signal. Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. Two of the biggest stars of the early dancehall era were Yellowman and Eek-a-Mouse. Dancehall brought a new generation of producers, including Linval Thompson, Gussie Clarke and Jah Thomas. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. (The word "bashment", a term originating in the 1990s, was used to describe a particularly good dance; for example "to go to a bashment dance". In the Dancehall vernacular, "bashment" is therefore an adjective instead of a noun.) Le dancehall est une musique populaire jamaïcaine apparue en Jamaïque à la fin des années 1970, en tant que variante du reggae. Les plus grandes personnalités du genre dancehall sont Vybz Kartel, Yellowman et Eek-a-Mouse. Le dancehall amène une nouvelle génération de producteurs, comme Linval Thompson, Gussie Clarke et Jah Thomas. Au milieu des années 1980, l'instrumentation électronique du genre prend de l'importance et change considérablement de son connu sous le nom de ragga caractérisé par un rythme plus rapide.