Music Composition
238 videos • 211 views • by Mehdi Ardebili
1
16 Ways Chopin Transformed Piano Playing (ft. Garrick Ohlsson)
Ben Laude
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2
How to Change Key Like John Williams
Ryan Leach
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3
13 Books for Composers
Saad Haddad
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4
Orchestration Question 17: Marking Articulations
OrchestrationOnline
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5
Beaming
Dr. Kati Meyer Music Theory
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6
Composing in Sonata Form - What is Sonata Form?
Music Matters
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7
The Orchestration Method that ALWAYS Works
Ryan Leach
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8
You’ve got your first 8 bars! But now what??
Ryan Leach
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9
How to Harmonize Repeated Notes in Both the Top and Bottom Parts - Music Composition
Music Matters
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10
Modal Interchange | Music with Myles
Music with Myles
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11
An Introduction to Liszt’s Vallée d’Obermann
Chairat Chongvattanakij
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12
Music Theory for Songwriting in 30 Minutes! (Xmas Sale)
Rick Beato
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13
Counterpoint #14 - contrapuntal textures
Alan Belkin
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14
What is Musical Texture?
The Listener's Guide
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15
What is Antiphonal Texture?
Dave Conservatoire
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16
Harmonic Surprises in All I Want for Christmas is You - Composer Insights
Music Matters
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17
Liszt's Strangest Masterpiece: Vallée d'Obermann
The Independent Pianist
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18
28 Songs That Are Based On Classical Music
David Bennett Piano
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19
How to recognise chord progressions by ear
David Bennett Piano
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20
The British Spy Who Divided the Muslim Ummah
IlmFeed
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21
101 music theory terms you should know
David Bennett Piano
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22
The Music Theory Iceberg Explained
David Bennett Piano
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23
Three-Part Counterpoint - Music Composition
Music Matters
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24
4 Approaches to Counterpoint - Music Composition
Music Matters
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25
What Makes Stravinsky's Music Revolutionary?
Inside the Score
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26
Reading Music Is Easy When You Know THIS
Nahre Sol
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27
5 Music Engraving Tips That EVERY Composer Should Know (Music Notation Advice)
Joshua Mallard
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28
How the String Quartet Evolved - Music Appreciation
Music Matters
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29
»The most terrifying piece in piano repertoire...« | Elbphilharmonie Explains
Elbphilharmonie Hamburg
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30
The Truth About The Moonlight Sonata
The Music Professor
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31
What Can You Write Before a Diminished 7th Chord - Music Composition
Music Matters
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32
Interpreting Schubert's Impromptu in A-flat Major D.935 for Piano - Piano Interpretation
Music Matters
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33
How to Harmonize a Fast Moving Melody - Music Composition
Music Matters
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34
Film Scoring 101 - The Phrygian Mode
Rick Beato
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35
Why There's Only One Way to Resolve a Flat II Chord - Music Theory
Music Matters
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36
Mozart the Master of Simplicity - Composer Insights
Music Matters
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37
Writing Two-Part Canon - Writing Canon
Music Matters
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38
How to Analyze Harmony in Music - Music Theory
Music Matters
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39
Creating a Moving Bass Line - Music Composition
Music Matters
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40
Reading Bass Clef Ledger Lines - Music Theory
Music Matters
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41
Four-Part Harmony from a Bass Line - Music Composition
Music Matters
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42
Improving a Bass Line - Music Composition
Music Matters
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43
Using Borrowed Chords - Music Composition
Music Matters
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44
How to Harmonize Repeated Notes - Music Composition
Music Matters
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45
Beethoven's Last Piano Sonata - Inside the Mind of Beethoven
Music Matters
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46
Increase Your Composing Harmonic Vocabulary Ep 5 Modes Ear Training & Relationships
Composing Music
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47
What Can You Write Before an Augmented 6th Chord - Music Composition
Music Matters
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48
Mozart's Clever Development Section - Composer Insights
Music Matters
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49
How to Use Diminished 7th Chords - Music Composition
Music Matters
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50
How to Vary the Harmony for Repeated Notes - Music Theory
Music Matters
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51
Who Needs the Rule of the Octave? - Music Theory
Music Matters
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52
How Beethoven Revolutionized the Symphony
Inside the Score
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53
Augmentation and Diminution Techniques - Music Composition
Music Matters
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54
Advice for Beginning Composers
Classical Nerd
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55
How I wish HARMONY was explained to me as a student
Nahre Sol
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56
Liszt - 3 Concert Etudes, S144 explained by Leslie Howard
lisztcompetition
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57
Beethoven's Delicate Side - Inside the Mind of Beethoven
Music Matters
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58
Practicing Reading Rhythm In Persian (Minooei’s Method)
Faraz Minooei
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59
Mozart - Divertimento for String Trio K. 563 (1788)
Bartje Bartmans
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60
Bach Goldberg Variations (complete) with Harmonic Pedal - P. Barton FEURICH piano
Paul Barton
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61
My failing composing career and what turned it around
David Bruce Composer
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62
"Compared to Bach, We All Suck"
Rick Beato
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63
How The Pros Think About Chord Progressions (and you probably don't)
Jens Larsen
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64
Reading Changing Time Signatures - Music Performance
Music Matters
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65
The Thomas Newman Interview | Where Does THIS Music Come From?
Rick Beato
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66
Why Listen to Liszt?
Inside the Score
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67
Achieving Drama Through Rhythm and Modulation - Inside the Mind of Beethoven
Music Matters
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68
Modulation Using a Tritone - Music Theory
Music Matters
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69
One Minute of Musical Perfection
Rick Beato
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70
My Favourite Leitmotif (And Why)
Inside the Score
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71
Scale Spotlight: The Modes of Major | Composer Toolbox: Episode 14
David McCaulley
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72
How to Use the Chord Symbol Appearance Editor | New Features in Dorico 1.1
Dorico
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73
انرژیها و چاکراها - مزدافر مؤمنی - قسمت سوم
Mazdafar Momeni - مزدافر مؤمنی
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74
Fluid Basslines (Bach Chorale Music Analysis) - Inside the Mind of Bach
Music Matters
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75
Mischa Maisky - Bach Cello Suite No.1 in G Major BWV1007 [Full]
SheetMusicVideo
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76
Rare uncovered audio & footage - Franz Liszt masterclass late 19th century
Reichthoff
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77
The Liszt Modulation
Polychoron Productions
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78
What is Pandiatonicism in Music? - Music Theory
Music Matters
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79
Ocean Waves Crashing - Relaxing Sounds - Calming Relaxation Music For Sleeping - 1 Hour
Peaceful Sleeping Sounds
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80
Modulating to Closely Related Keys (Minor Key Modulation Chart) - Music Composition
Music Matters
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81
An Introduction to Wagner's Die Meistersinger von Nürnberg
Glyndebourne
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82
How Did Liszt Compose? - Composer Insights
Music Matters
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83
Composing Using the Whole Tone Scale - Music Composition
Music Matters
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84
Clear Your Arteries with These Nutritious Foods
Dr. Eric Berg DC
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85
Virtuosic Runs That Are Actually EASY
Nahre Sol
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86
Debussy's Use of the Whole Tone Scale - Composer Insights
Music Matters
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87
How to Compose a Canon || Imitative Counterpoint 1
Jacob Gran
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88
Richard Wagner - Conductor & Composer | Mini Bio | BIO
Biography
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89
How Richard Wagner Influenced Atonality in Music
LivingPianosVideos
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90
Rhapsody in Blue: How Gershwin broke the mold
David Bruce Composer
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91
The Best Chords to Follow Chord I - Music Composition
Music Matters
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92
How Bach Elaborately Decorates a Simple Chord Scheme - Composer Insights
Music Matters
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93
Choosing the Right Chords in Minor Keys - Music Composition
Music Matters
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94
Writing Counterpoint from a Chord Scheme - Music Composition
Music Matters
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95
Beauty in Simplicity (Bach Chorale Music Analysis) - Inside the Mind of Bach
Music Matters
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96
Music Composition: Dissonance = Emotion
Rick Beato
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97
The Difference Between 3/4 and 6/8 Time Signatures - Music Theory
Music Matters
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98
The History of Musical Pitch - Music Appreciation
Music Matters
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99
The Genius of Schubert’s Melodic Writing - Composer Insights
Music Matters
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100
Elaborating Harmony (Bach Chorale Music Analysis) - Inside the Mind of Bach
Music Matters
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101
4 Ways to Harmonize the Same Melody - Music Composition
Music Matters
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102
Young People´s Concerts - 1.1 What Does Music Mean
Von Giorno
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103
[Deleted video]
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104
How to Compose Anticipation Chords (and Bass Suspensions) || Tonal Voice Leading 16
Jacob Gran
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105
How to Compose Suspension Chords || Tonal Voice Leading 15
Jacob Gran
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106
How to Compose Suspensions || Tonal Voice Leading 5
Jacob Gran
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107
What is a Nota Cambiata? - Music Theory
Music Matters
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108
When are Parallel Fifths Ok? || Brahms on Forbidden Parallels
Jacob Gran
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109
How to Compose with Chords and Triads || Tonal Voice Leading 8
Jacob Gran
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110
How to Compose a Florid Melody || Tonal Voice Leading 6
Jacob Gran
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111
Roman Numeral Analysis and Four-Voice Counterpoint || Tonal Voice Leading 9
Jacob Gran
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112
Ear Training Edition #4
Christopher Brellochs
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113
Five Simple Tips to Improve Your Music Engraving!
Music Engraving Tips
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114
Juliana Han Teaches "Chopin" Scales
tonebase Piano
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115
The Tristan Chord - And Why it Matters
Inside the Score
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116
Wimbledon's Funniest Moments
Wimbledon
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117
Piano Masterclass with Sir András Schiff
Royal College of Music
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118
Ludwig van Beethoven - Grosse Fuge, Op. 133
olla-vogala
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119
Michael Parloff: Lecture on Beethoven Quartets Op. 132, Op. 130, & the Grosse Fuge, Op. 133
Chamber Music Society of Lincoln Center
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120
Every Fugal Passage from the Beethoven Symphonies
Richard Atkinson
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121
Beethoven, String Quartet No. 14 in C-sharp Minor, opus 131 (complete)
smalin
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122
Beethoven, Große Fuge, opus 133 (2010 version)
smalin
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123
How to Listen to Classical Music: The Concerto
Inside the Score
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124
Writing Counterpoint - Combining Counterpoint with Harmony
Music Matters
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125
Is This Even Music? John Cage, Schoenberg and Outsider Artists
Sound Field
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126
The Submediant Shift - Music Composition
Music Matters
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127
Creating Tension and Release in Music - Music Composition
Music Matters
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128
Stuck Writing 4 Chords? How To Write Better Harmony
Inside the Score
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129
Harmonic Rhythm and Progression - Music Composition
Music Matters
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130
The Alan Titchmarsh Show 2008 09 02 ITV1 Katie Derham
78UNKNOWN
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131
Balancing Textures in Music - Music Performance
Music Matters
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132
Dr. B Music Theory Lesson 12 (Voice Leading 102)
Christopher Brellochs
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133
Dr. B Music Theory Lesson 11 (Voice Leading 101)
Christopher Brellochs
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134
How Chopin Creates Emotion in his Music - Composer Insights
Music Matters
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135
Keyboard Harmony - Improvising Melodies over Harmony
Music Matters
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136
Late Romantic Style - Composing for the Piano
Music Matters
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137
Why Do We Have 3 Minor Scales? - Music Theory
Music Matters
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138
Minor Key Harmony - Music Theory
Music Matters
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139
How to Write an Opera
David Bruce Composer
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140
How to Listen to Classical Music: Tonality
Inside the Score
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141
How to Listen to Classical Music: Motifs and Seeds
Inside the Score
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142
How to Write a Fugue
High School Composer
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143
Great Composers: Hector Berlioz
Classical Nerd
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144
Dr. B Music Theory Lesson 49 (Beyond the Basics: Dominant chords with the substituted 6th)
Christopher Brellochs
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145
Bach, Prelude in C Major, WTC I (5-Part Reduction and Analysis)
JJay Berthume
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146
Harmonic Progressions used by Famous Composers - Music Composition
Music Matters
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147
[Private video]
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148
Dr. B Music Theory Lesson 6 (Time Signatures, Beaming)
Christopher Brellochs
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149
Music Exam Preparation Tips - Music Performance
Music Matters
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150
Andromeda: Qaychak bass Improvisation in Chargah
Qaychakbass
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151
Modal Borrowing For More Interesting Harmonies and Melodies
Bill McFadden
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152
Equal Temperament vs Just Intonation
Science'n'me
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153
🎵 Pythagorean tuning
discovermaths
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154
Just intonation in the Renaissance
Early Music Sources
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155
Just Intonation vs Equal Temperament
Trippin' on Cookies
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156
Writing Lessons : How to Write an Opera
ehow
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157
What is a Motif in Music? - Music Theory
Music Matters
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158
How to Compose 2:1 Counterpoint || Tonal Voice Leading 2
Jacob Gran
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159
Basic Rules of Part Writing
Dr. Kati Meyer Music Theory
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160
How to Compose 1:1 Counterpoint || Tonal Voice Leading 1
Jacob Gran
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161
How to Sound Like Chopin
Nahre Sol
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162
How to Sound Like Beethoven
Nahre Sol
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163
How to Sound Like Franz Liszt
Nahre Sol
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164
Extreme Modulation Using Chromatic Harmony - Music Theory
Music Matters
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165
What is Texture? - Music Theory
Music Matters
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166
Advanced Music Theory - Harmony
Music Matters
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167
Chord Variations in Four Parts - Music Theory
Music Matters
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168
Modulation using the Neapolitan Chord - Music Theory
Music Matters
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169
Is it Really a Half Diminished 7th Chord? - Music Theory
Music Matters
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170
Bach's C major prelude, deconstructed
Listening In
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171
How to Write a Descant - Music Composition
Music Matters
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172
Q&A with Gareth and Alex - All About Music Matters
Music Matters
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173
Classical Melody Writing Tricks - Music Composition
Music Matters
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174
Liszt – Après une lecture du Dante - Fantasia quasi sonata, S161/7 explained by Leslie Howard
lisztcompetition
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175
Kaimerata Isolation Project IV. Liszt's Dante Sonata explained by Catherine Ordronneau
Kai Gleusteen: Kaimerata Concerts
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176
HEAVENLY BLISS - Beethoven Sonata no. 32 in C minor Op. 111 mvt 2 - Analysis tutorial
Sonata Secrets
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177
Desire in Chromatic Harmony: Neofunctionality in Wagner’s Tristan und Isolde
eduCreate
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178
Rhythm & Melody, Rhythm & Harmony - Daniel Barenboim | Deconstructed [subtitulado]
Daniel Barenboim
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179
How Studying Liszt Transformed My Understanding of Music
Nahre Sol
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180
Species Counterpoint Part 1: Introduction
Jacob Gran
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181
Second Species Counterpoint
Dr. Kati Meyer Music Theory
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182
First Species Counterpoint
Dr. Kati Meyer Music Theory
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183
A Complete Introduction to Musical Form
Inside the Score
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184
How To Write Chord Progressions With NEGATIVE HARMONY [Simple Explanation]
MusicTheoryForGuitar
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185
Writing a Melody Over a Chord Progression - Music Composition
Music Matters
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186
How to Compose a Melody from a Chord Scheme - Music Composition
Music Matters
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187
[Private video]
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188
Music Theory Basics: Modes and How To Use Them
Rick Beato
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189
Major Scale vs. Ionian Mode - TWO MINUTE MUSIC THEORY #29
Two Minute Music Theory
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190
Anticipation Notes (Non-Harmonic Tones) - Music Theory
Music Matters
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191
Keyboard Harmony - The Rules of Harmony and Some Things to Avoid
Music Matters
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192
Modulation using Diminished 7ths - Music Theory
Music Matters
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193
Modulation by Semitone Shift - Music Theory
Music Matters
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194
Modulation using a Pivot Note - Music Theory
Music Matters
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195
How to Modulate - Music Theory
Music Matters
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196
A Simple Guide to Modes - Music Theory
Music Matters
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197
How to Easily Move from One Key to Another - Music Composition
Music Matters
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198
Writing & Developing a Melody Line - Music Composition
Music Matters
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199
How to Write Counterpoint - Music Composition
Music Matters
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200
Moonlight Sonata by Beethoven: An Analysis
pianoTV
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201
How to Listen to Classical Music: Sonata Form
Inside the Score
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202
Why Learning Intervals by Ear is Important (And How To Do It)
pianoTV
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203
How to legally arrange copyrighted material (official way)
anjagoller
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