Type design: multi-script
393 videos • 613 views • by FontLab font editors and apps
1
Thomas Phinney – New Writing Systems: Amma & Adlam
GRANSHAN
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2
Prof. Adi Stern – New antique models for Hebrew type design
GRANSHAN
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3
Kang Byung-in – Calligraphy of East and Hangul
GRANSHAN
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4
Prof. Jae-joon Han – Boundless Value of Hangeul
GRANSHAN
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5
Edik Ghabuzyan – The origin and structure of Armenian letters
GRANSHAN
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6
Titus Nemeth – Harmonised type design revisited
GRANSHAN
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7
Toshi Omagari – Making Noto Sans Tibetan
GRANSHAN
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8
Ben Mitchell – What can Thai teach us about Latinisation?
GRANSHAN
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9
Paul D. Hunt – An Illustrated History of Non-Latin Typeface Development at Adobe
GRANSHAN
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10
Jo de Baerdemaeker – Sherpa: the writing systems of the Himalayas
GRANSHAN
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11
The Politics of Arabic Type Design | Nadine Chahine | TEDxUAL
TEDx Talks
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12
Writing Systems of the World — Zachary Scheuren
TypeCon
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13
Kerning 2017 - Jan Charvat - Capital additions to Georgian typography
GrUSP
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14
TUG 2020 — Steven Matteson — The road to NOTO
TeX Users Group
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15
Sara Soskolne – Gotham's newest inhabitants: adventures in pan-European typography
GRANSHAN
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16
Gerry Leonidas – Greek type and typography
GRANSHAN
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17
tptalks15: Lucas de Groot
TypeParis Now Graphic and Type conference, Paris
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18
tptalks15: Nadine Chahine
TypeParis Now Graphic and Type conference, Paris
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19
Peter Bilak's lecture 'Language, Culture, Typography', 2017
Typotheque
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20
Adi Stern & Veronika Burian “Harmony and Converse The Story of Noam Text"
Type Directors Club
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21
Type Drives Culture 2019: Part 4 Ksenya Samarskaya
Type Directors Club
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22
Type Drives Culture 2019: Part 5 Yotam Hadar
Type Directors Club
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23
Kristyan Sarkis: A Perspective on Arabic Type, Identity, & Culture
Type Directors Club
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24
TYPO Labs 2018 | Luc(as) de Groot
TYPO International Design Talks
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25
TYPO Labs 2018 | Minjoo Ham
TYPO International Design Talks
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26
TYPO Labs 2018 | Sahar Afshar & José Miguel Solé Bruning
TYPO International Design Talks
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27
TYPO Labs 2018 | John Hudson
TYPO International Design Talks
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28
TYPO Labs | John Hudson | Interpolating the Future
TYPO International Design Talks
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29
Exploring historical letterforms to design unique Assamese typeface for digital devices by Abhijit
Typography Day
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30
Dis/re-appearance of vernacular Chinese letterform of Beiwei Kaishu in Hong Kong by Brian Sze Hang
Typography Day
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31
Keynote Address by Prof Antoine Abi Aad
Typography Day
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32
Mishti Devanagari - Experimental typography by taking inspiration from cultural reference by Sayli
Typography Day
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33
Exploring A Cursive Design for a Mixed Script Typeface by Dr Muthu Nedumaran
Typography Day
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34
Analysis of Malayalam hand-painted street lettering styles by Unnati Kotecha and Maithili Shingre
Typography Day
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35
Effectiveness of homologous Thai letterforms on visibility under simulated condition by Rachapoom
Typography Day
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36
Vision Speaker: Keitaro Sakamoto
Typography Day
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37
Exploring typography of Sinhala numerals by Kosala Senevirathne
Typography Day
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38
Challenges in Multilingual Type Design by David Brezina
Typography Day
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39
Designing a Devanagari text font for newspaper use by Yashodeep Gholap
Typography Day
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40
Nimbus Sans Tamil by Pria Ravichandran and Robert Pratley
Typography Day
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41
Reviving a Manuscript Style: The design process of Jaini by Maithili Shingre
Typography Day
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42
Ek Type by Sarang Kulkarni
Typography Day
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43
The Ruq'ah style and it’s role in Arabic typography by Gunnar Vilhjalmsson
Typography Day
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44
The Many Modes of Malayalam Script by Paul Hunt
Typography Day
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45
Workshop on Letterform exploration of Indian scripts by Mahendra Patel & Prof Manohar Desai Part III
Typography Day
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46
A Talk with Mahendra Patel during Typography Day 2013
Typography Day
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47
Workshop on Letterform exploration of Indian scripts by Mahendra Patel & Prof Manohar Desai Part I
Typography Day
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48
Onur Yazıcıgil & Thomas Milo at Granshan 2015
GRANSHAN
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49
Thomas Milo: DecoType ACE in TeX. Implementing the Advanced Composition Engine in LuaTeX
Yannis Haralambous
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50
Martin Dürst: Between Characters and Glyphs—the Case of Han Characters
Yannis Haralambous
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51
Thomas Huot-Marchand and Johannes Bergerhausen: The Missing Scripts
Yannis Haralambous
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52
Martin Raymond: ScriptSource. Documenting the Writing Systems of the World
Yannis Haralambous
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53
David Březina: Character Similarity and Coherence in Typeface Design
Yannis Haralambous
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54
Kamal Mansour: On the Origins of Arabic Script
Yannis Haralambous
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55
Joseph Dichy: On the Writing System of Arabic. Semiographic characterization of Naskhi Letter Shapes
Yannis Haralambous
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56
DATeCH2019 - Session 4. Thomas Milo: A New Strategy for Arabic OCR: Archigraphemes, Letter Blocks...
IMPACT Centre of Competence
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57
Integrating Latin and non--Latin text: a designer's perspective
ZeebaTV
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58
A Whirlwind Tour of Unicode
Inside Bloomberg
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59
The importance of typeface design | Agyei Archer | TEDxPortofSpain
TEDx Talks
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60
Typographics 2017: Arabic Type Design, Beirut–The Story with Lara Captan
Typographics
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61
tptalks16: Alexandra Korolkova
TypeParis Now Graphic and Type conference, Paris
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62
Aleksandra Samulenkova - Breeding Ground for Letters
ISType
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63
Sahar Afshar - Muses, methods, and thereafter
ISType
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64
Borna Izadpanah - The emergence of printing in Qajar Iran
ISType
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65
Peter Biľak - The Idea of Progress
ISType
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66
Naïma Ben Ayed - Gravitating Around
ISType
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67
Veronika Burian & José Scaglione - In pursuit of the axis
ISType
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68
Typography Dojo: Foreign Fling Fonts with Hrant Papazian
TypeEd
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69
What did OpenType open for Arabic typography?
ZeebaTV
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70
Gerry Leonidas: Greek-English Lexicon for Cambridge
ALUO Design Talks
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71
BITS 9 — The universal thirst for South Asian typefaces — Gunnar Vilhjálmsson & Kalapi Gajjar
Cadson Demak
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72
BITS 9 — Building Bridges between Latin and Chinese — Xiao Yu Liu
Cadson Demak
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73
BITS 9 — Sans serif & Serif fonts for Khmer — Danh Hong
Cadson Demak
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74
BITS 9 —The Evolution of Thai Loopless (Extended Version) Promphan Suksumek
Cadson Demak
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75
BITS 9 — Chinese fonts and how Artificial Intelligence is integrated — Jeff Wu
Cadson Demak
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76
BITS 9 — Italicising Chinese — Willie Liu
Cadson Demak
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77
BITS 9 — Type Design at Samarskaya & Partners — Ksenya Samarskaya
Cadson Demak
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78
From the Invisible Bottom Line to the Prospective Thai Font Classification (EN)
Cadson Demak
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79
BITS 8 — Chawanat Suwan
Cadson Demak
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80
BITS 7 — “Puan and Seri” by Theerawat Pojvibulsiri
Cadson Demak
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81
Contrast, Coexisting & Problem Solving (EN)
Cadson Demak
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82
Haytham Nawar – Vernacular type design for Arabic speaking countries
GRANSHAN
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83
Bruno Maag, Tom Foley, Michele Patané
GRANSHAN
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84
Vaibhav Singh – Pictures of things: context in the time of global design
GRANSHAN
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85
How Newspapers Familiarized Readers with the Latin Script... | Dilek Nur Polat Ünsür | ATypI 2020
ATypI
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86
Rubbing Colonialism at Surat Cemeteries | Zenab Bastawala | ATypI 2020 All Over
ATypI
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87
Kufic Script: From Calligraphy to Typography | Nada Abdallah | ATypI 2020 All Over
ATypI
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88
Carrying On: Kanji Graphy and Hanzi Graphy | Mariko Takagi | ATypI 2020 All Over
ATypI
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89
A Responsive Chinese SongTi Typeface for Multiple-Use Occasions | Edwina Lee | ATypI 2020 All Over
ATypI
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90
Multi-Scriptual Typography | Monika Marek-Łucka | ATypI 2020 All Over
ATypI
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91
Arabic Type Platform and Online Reed Pen Simulator | Sina Fakour | ATypI 2020 All Over
ATypI
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92
Importance of Education Through the Lens of Business in Thailand | Kamolkarn Kosolkarn | ATypI 2020
ATypI
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93
The Spread, Influence, and Redesign of Hanwen Zhengkai. China | Wen Wang | ATypI 2020 All Over
ATypI
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94
Newa Scripts: From Manuscript to Digital | Sunita Dangol and Ananda Maharjan | ATypI 2020 All Over
ATypI
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95
Typannot: A Typographic System to Transcribe Sign Languages | Patrick Doan | ATypI WS Amiens
ATypI
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96
Paul Hunt - Non Latin Dev at Adobe
ATypI
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97
Invisible Letters, Invisible Language | Zachary Scheuren | ATypI 2019 Tokyo
ATypI
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98
Innovation meets tradition - Shani Avni - AtypI 2017
ATypI
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99
Japanese Fat Faces from the Edo Period to Today | Tomoko Ishikawa | ATypI 2019 Tokyo
ATypI
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100
A Paradigm Shift | Ryota Doi | ATypI 2019 Tokyo
ATypI
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101
The Evolution of Thai Loopless Script | Promphan Suksumek | ATypI 2019 Tokyo
ATypI
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102
The Carrier of the Soul | Wei Ming, Yin Qiu | ATypI 2019 Tokyo
ATypI
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103
“Lo-Res” Chinese: Toward a History of Non-Latin Bitmap Fonts | Thomas Mullaney | ATypI 2019 Tokyo
ATypI
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104
Callijatra: Reviving Ranjana Script | Ananda Kumar Maharjan, Sunita Dangol | AtypI 2019 Tokyo
ATypI
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105
Designing an Energetic Typeface from Handwriting | Ryoko Nishizuka | ATypI 2019 Tokyo
ATypI
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106
The Quest for Modern Cyrillic | Alexandra Korolkova, Dmitry Goloub | ATypI 2019 Tokyo
ATypI
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107
Rediscovering the Beauty of Kana | Hisashi Iwai | ATypI 2019 Tokyo
ATypI
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108
Sinhala Wood-Block Type | Sumanthri Samarawickrama | ATypI 2019 Tokyo
ATypI
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109
Kawaka Ikehara, the Designer of the First Japanese Metal Types | Yukari Haruta | ATypI 2019 Tokyo
ATypI
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110
CJK Variable Font Based on Source Han Sans | Masataka Hattori | ATypI 2019 Tokyo
ATypI
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111
Machine Learning and Type Design | Takuto Higurashi | ATypI 2019 Tokyo
ATypI
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112
45 Days of Khmer Type | Sovichet Tep | ATypI 2019 Tokyo
ATypI
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113
The Quest for Modern Cyrillic | Alexandra Korolkova, Dmitry Goloub | ATypI Tokyo 2019
ATypI
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114
Meetei Mayek: A Work in Progress | Neelakash Kshetrimayum | ATypI 2019 Tokyo
ATypI
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115
Building Hangul like an Architect: Utilizing Variable Fonts | Dohee Lee | ATypI 2019 Tokyo
ATypI
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116
Ferdinand Theinhardt’s Legacy in Tibetan Typography | Jo De Baerdemaeker | ATypI 2019 Tokyo
ATypI
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117
Hangul Type-Design Methodology: Making Revision Fun | Chorong Kim, Wujin Sim | ATypI 2019 Tokyo
ATypI
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118
A Typeface for Endangered Languages | Shinji Ogawa, Hiroto Ueda | ATypI 2019 Tokyo
ATypI
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119
The History of Japan’s Era Name Square Ligatures | Ken Lunde | ATypI 2019 Tokyo
ATypI
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120
Building a New Typography | Rathna Ramanathan | ATypI 2019 Tokyo
ATypI
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121
Invisible Letters, Invisible Languages | Zachary Scheuren | ATypI 2019 Tokyo
ATypI
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122
2021 Typographics Conference Day 6 (English Translation)
The Cooper Union
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123
Working with the Javanese script: an effort to revive the script typographically
TypeWknd
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124
Just the all of us — how we developed our first Odia font family, the collaborative way
TypeWknd
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125
Spektra, a multi-script typeface that celebrates the spectrum of human diversity
TypeWknd
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126
Belgrade Street Signage – The urgency for two scripts
TypeWknd
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127
Working with the Javanese script: an effort to revive the script typographically
TypeWknd
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128
Decolonizing Typography: The journey of creating a font for an Afrikan writing system
TypeWknd
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129
Noto Fonts: Preserving Endangered Languages | S. Zaraysky/M. Jeziorek/D. Crossland | ATypI 2020
ATypI
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130
Muthu Nedumaran speaks on Font Design, Font engineering and Annai-Multiscript Typeface
Typography Society of India
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131
Dr Fiona Ross speaks on Research-based practice in designing type for South Asian scripts. 27 March
Typography Society of India
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132
Ilai- A variable typeface in Tamil. By Anagha Narayanan
Typography Society of India
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133
Kalapi Gajjar @TSI Typography Society of India Session 05: on 29 August 2020
Typography Society of India
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134
Kimya Gandhi @Typography Society of India, 27th June 2020
Typography Society of India
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135
A Comparative Study of the Rules and Objective of the Typeface in the Nastaliq-full video
atefeh mohammadi
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136
Design Lecture Series: Ilai: Variable typeface in Tamil — a case study
Hasgeek TV
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137
Getting Started in Typeface Design.
Tapiwanashe Sebastain Garikayi
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138
Ismar David and the First Hebrew Typeface Family
RIT Libraries
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139
Thoth's Pill - an Animated History of Writing
NativLang
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140
9 Uncracked Codes & Undeciphered Scripts
NativLang
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141
Tibetan Typeforms: the Historical Development of Tibetan Typefaces with Jo De Baerdemaeker
RIT Cary Graphic Arts Collection
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142
Designing the first layered font in Telugu
TypeWknd
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143
TypeWknd 2021 - Thursday - Session 1
TypeWknd
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144
TypeWknd 2021 - Thursday - Session 2
TypeWknd
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145
TypeWknd 2021 - Friday - Session 3
TypeWknd
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146
TypeWknd 2021 - Friday - Session 4
TypeWknd
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147
TypeWknd 2021 - Saturday - Session 5
TypeWknd
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148
TypeWknd 2021 - Saturday - Session 6
TypeWknd
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149
TypeWknd 2021 - Sunday - Session 7
TypeWknd
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150
TypeWknd 2021 - Sunday - Session 8
TypeWknd
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151
Prof Mahendra Patel talks about his Design experience
Typography Society of India
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152
The Taste of Text Like the Taste of Honey with Yuri Gordon
The Cooper Union
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153
Mushaf Muscat and the technology behind it with Thomas Milo
Arabic Design
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154
Typecal From Home With Sahar Afshar
TypeCal
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155
Typecal From Home with Mohamed Gaber
TypeCal
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156
Typecal From Home with Mohamed Gaber
TypeCal
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157
The typographic design of the Valley of the Communities in Jerusalem
ZeebaTV
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158
The Modern Writing Systems of West Africa: Support After Unicode
JamraPatel LLC
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159
Beyond Letters: How an African Typeface Project Became More Than Just Type Design
JamraPatel LLC
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160
Beyond Letters: How an African Typeface Project Became More Than Just Type Design
JamraPatel LLC
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161
unicode, ancient/weird alphabets, rune, braille, combinatorics system, astronomy astrology symbols
Xah Lee
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162
Unicode, OpenType, and Fonts
Behdad Esfahbod
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163
Better-Engineered Font Formats
Behdad Esfahbod
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164
Kristyan Sarkis
TYPOMANIA TV
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165
Khajag Apelian / Typomania 2018
TYPOMANIA TV
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166
Константин Головченко
TYPOMANIA TV
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167
Marc Wilhelm Küster: Open and Closed Writing Systems
Yannis Haralambous
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168
Research-based practice in designing type for South Asian scripts
Hasgeek TV
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169
#115 | Fontastic! Learn about type design & the font business - Guillaume Berry
Webmardi
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170
ITC Benguiat Cyrillic
Paratype
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171
А. Королькова "Шрифт в современном мире" Reloaded
Paratype
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172
А. Королькова "Шрифт в современном мире"
Paratype
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173
Didona
Paratype
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174
ITC Avant Garde Gothic Cyrillic
Paratype
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175
Kis Cyrillic Part 1
Paratype
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176
Kis Cyrillic Part 2
Paratype
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177
Kuenstler 480 Cyrillic
Paratype
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178
Прагматика
Paratype
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179
huda smitshuijzen abifarès
TypeCal
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180
Keynote Address on 'Hope Springs Eternal' by David Blatner
Typography Day
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181
Keynote Address on Power and Politics in Arabic Type Design by Dr. Nadine Chahine
Typography Day
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182
Designing an Interlocking Devanagari Display Font by Adarsh Malviya
Typography Day
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183
Devanagari Typeface Inspired by Gender Equality by Srishti Mitra
Typography Day
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184
Ik Onkar Gurmukhī (ੴ ਗuਰਮuਖੀ): Decoding Culture-Form Associations in Writing Practice by Nanki Nath
Typography Day
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185
Ik Onkar Gurmukhī (ੴ ਗuਰਮuਖੀ): Decoding Culture-Form Associations in Writing Practice by Nanki Nath
Typography Day
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186
Typographical Investigation of Mauryan Brahmi by Ankita Roy
Typography Day
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187
Typographical Investigation of Mauryan Brahmi by Ankita Roy
Typography Day
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188
Multilingual logotype case studies in Indic scripts by Sarang Kulkarni
Typography Day
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189
Кирилловский алфавит — это наша «валюта» | Тагир Сафаев | Prosmotr
Design Prosmotr
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190
Тагир Сафаев Шрифт и типографика в структуре журнала
Vashgd Serif
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191
YouDo - OpenMic
YouDo Live
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192
Mirjam Somers
ATypI
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193
Adi Stern
ATypI
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194
Adi Stern
ATypI
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195
TypePlatform X Amir Mahdi Moslehi - Persian/Arabic Calligraphy The Ancient Heritage
منصة الحروف - TypePlatform
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196
TypePlatform X Azza Alameddine - Thoughts on matching Arabic & Latin logos and typefaces
منصة الحروف - TypePlatform
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197
Noto Fonts: Preserving Endangered Languages | D. Crossland, S. Zaraysky, M. Jeziorek | ATypI 2020
ATypI
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198
The writing and interpretation of Chinese pictograph | Jianing Wang | ATypI 2020 All Over
ATypI
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199
Digitized Design for Nüshu Script: Noto Traditional Nushu | Z. Liu, E. Chan, K. Jiang | ATypI 2020
ATypI
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200
Contemporizing a Historic Script... | Vinodh Rajan and Udhaya Shankar | ATypI 2020 All Over
ATypI
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