Daily Tips
550 videos • 5,259 views • by Sonora Guitar Intensive
1
How to Use Secondary Dominants
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2
How to Sound Good on a Gig
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3
What is the Tone Knob For?
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4
What is the Best Way to Use the Volume Knob?
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5
How to Use Common Tones with Triads
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6
How to Build a Blues Solo
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7
Why Do We Use Harmonic Minor?
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8
The Secret to Finding the Time
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9
How to Understand the Blues Shuffle Rhythm
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10
Why Triads are Awesome
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11
How to Tighten up Your Blues Timing
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12
How to Play the Blues with 2 Notes
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13
How to Play Barre Chords Without Pain
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14
How Can Slash Chords Make Things Easier?
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15
How Do We Play Slash Chords?
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16
What Are Intervals Good For? - Part 2
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17
What Are Intervals Good For? - Part 1
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18
The DNA of a Major 7th Chord
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19
Why Should we Learn Chord Voicings?
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20
How to Hold the Pick for Funk
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21
Pentatonic Shapes - Demystified
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22
Electric Punch vs. Acoustic Punch
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23
Lean into the Noise
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24
What is the Advantage of Alternate Picking?
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25
How Improvising Relates to Composing
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26
What is Improvisation?
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27
When is a 2nd Really a 9th
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28
How to Play the Change - Part 2
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29
How to Play the Change - Part 1
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30
How to Keep Hold of the Pick
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31
How Learning Songs Can Build Your Musicianship
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32
How to Think About the b5
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33
Why You Should Play Without a JamTrack
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34
Secret Dominant 7 Voicing
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35
How to Get Inside Great Solos
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36
When the Rhythm Matters More than the Notes
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37
Know How the Chord Relates
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38
How to Borrow Chords
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39
Understanding Harmonic Cadence
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40
How to Analyze a Song
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41
Connecting the Dots With What You Hear
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42
How to Approach Ear Training
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43
How to Introduce Modes to Your Blues
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44
Why You Need More Than The Pentatonic Scale
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45
Songwriter’s Workshop - Guitar Study
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46
Songwriter’s Workshop - Creating Inspiration
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47
Songwriter’s Workshop - Performing
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48
Songwriter’s Workshop - Balancing Life and Art
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49
How to Build Great Lines
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50
How to Build Musical Intuition
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51
How to Play Melodies in Any Position
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52
How to Play More Fluidly
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53
Don’t Hold the Pick so Tightly
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54
What is Transcribing?
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55
[Private video]
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56
What is Pulse?
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57
Open Strings are Unique
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58
How to Tame the Gain
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59
How to Practice Economy Picking
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60
How Did They Play That?
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61
What is Scalar Perpetual Motion?
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62
How to Master the Fretboard
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63
Using the vii Chord
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64
How Do Intervals Look?
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65
How to Nail Survival Guitar
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66
What to Play to Get the Gig
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67
How We Can Create Growth in Our Practice
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68
Start Your Practice with a Metronome?
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69
How the Thumb Helps Your Vibrato
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70
Why You Don’t Need to Shake Your Neck
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71
How to Practice Bending
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72
How to Analyze a Song
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73
What’s Different about Mixolydian?
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74
Why Aren’t Power Chords Major or Minor?
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75
Spice Up Your Major Pentatonic
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76
Why the Tonal Center Matters
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77
How to Level Up Your Solos
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78
The Secret to Playing Modally
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79
The Secret to Bending
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80
Practice Recording Yourself
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81
The Guitar is a Percussion Instrument
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82
What is Diatonic?
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83
Know the Sound Not Just the Theory
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84
Vibrato and Positioning on the Fretboard
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85
Transcribing Vocabulary
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86
Expand What You Already Know
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87
Learn the Rhythm Part
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88
G7 versus G Major7
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89
The Beauty of Chord Inversions
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90
Creating 7th Chords with Triads
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91
You Have to Choose Your Notes
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92
Understanding Big Chord Shapes
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93
Open G and C are the Same Shape?
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94
Mapping Chords to the Major Scale
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95
Pick Lighter
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96
Building Solo Guitar Chops
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97
Learn to Harmonize without Tab or Sheet Music
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98
Shell Chords 101
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99
You Need to Hear the Bass
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100
Building Solos with the Words You Know
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101
Building on a Song Idea
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101
Building on a Song Idea
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102
Practicing with Others
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103
Triads, Enclosures and the Major Scale - Part 3
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104
Triads, Enclosures and the Major Scale - Part 2
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105
Triads, Enclosures and the Major Scale - Part 1
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106
Signature Tones Make The Mode
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107
Write With The Colors You Like
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108
Intervals are the Letters of Music
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109
Using Your Memory is a Huge Part of Music
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110
Don’t Ignore the Wider Intervals
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111
Practice Singing for Ear Training Smarter
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112
Scale Interval Relationships - Part 2
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113
Scale Interval Relationships - Part 1
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114
Applying Mode Formulas
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115
3 Levels of Understanding Scales
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116
Limitations Help You Learn
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117
Chromatic Approach Notes
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118
Symmetrical Scales
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119
7th Chord Arpeggios Nice and Easy
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120
Repetitive Phrases
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121
Use Vocabulary
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122
Create Vocabulary
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123
Honing a Skill
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124
Get Out of Your Comfort Zone
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125
The Practice Slow Myth
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126
Jazz Rhythm as Conversation
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127
Signs You Are Lost Rhythmically
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128
Handling Performance Anxiety
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129
Home is Where The Root Is
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130
Improvising is Choice
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131
Building Motifs from Ideas
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132
Noodling vs. Improvising
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133
Practicing Arpeggios Thru a Progression
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134
Work Your Challenges
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135
Stay in Your Range
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136
Why Compression
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137
Funk Wah
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138
Pentatonic Double Stops
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139
How Do You Know It’s Funk
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140
Funk Up Your Chords
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141
Fretting Hand Funk Muting
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142
Break Writer’s Block
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143
Take a Chance on a Bridge
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144
Picking Hand Funk Muting
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145
Metronome Philosophy
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146
16ths Bring the Funk
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147
Funk is About Groove
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148
Simplifying Drop 2 vs Drop 3 Voicings - Part 2
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149
Simplifying Drop 2 vs Drop 3 Voicings - Part 1
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150
The Appeal of Hybrid Picking
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151
Chord Scales and the Nature of Modality
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152
It’s All About Tension and Release
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153
Quiz Yourself on Triads
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154
Chord Tone Soloing Guides the Ear
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155
Adding Some Chromaticism - Part 2
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156
Adding Some Chromaticism - Part 1
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157
Finding the Triads in Your 7th Chords
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158
What is Reharmonization
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159
Forget Easy and Hard
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160
Most Common Advice From Great Players
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161
Demystifying Slash Notation - Part 2
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162
Writing with Modal Interchange - Part 1
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163
The 7th is the Gateway to Extensions
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164
Demystifying Slash Notation - Part 2
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165
Demystifying Slash Notation - Part 1
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166
Understand the Songs You’re Learning
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167
The Secret to Music
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168
Tips for Memorization
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169
Artificial Harmonics - Part 2
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170
Artificial Harmonics - Part 1
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171
Learning Dynamics
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172
Sight Reading for Guitar - Part 2
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173
Sight Reading for Guitar - Part 1
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174
Learn to See Intervals
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175
Know What You’re Playing
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176
Nobody Wants to Learn Theory
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177
Creating a Practice Plan - Part 2
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178
Creating a Practice Plan - Part 1
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179
Music Should Be Fun
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180
Chord Voicing on Acoustic Guitar
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181
Open Strings in Fingerstyle
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182
Ear Training and Inversions
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183
Triads Are Everywhere in Music
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184
Triads are the Words of Music
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185
Imagine What the Chord Sounds Like
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186
Your Ears Need to Go to the Gym
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187
Ditch the Barre Chords
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188
The Signature Tones of the Modes
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189
Hendrix Inverted
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190
Chords Create a Melody - Part 2
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191
Chords Create a Melody - Part 1
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192
Altered Tones Bring the Tension - Part 2
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193
Altered Tones Bring the Tension - Part 1
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194
The Scale-Arpeggio Balance
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195
Trading Licks Horizontally - Part 2
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196
Trading Licks Horizontally - Part 1
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197
Creating More Motivic Lines
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198
Arpeggios are a Cornerstone of Improvisation
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199
Most Common Modes
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200
Your Soloing Checklist
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