Учебные
187 videos • 32 views • by Вадим Белов
1
Как создать говорящий анимированный 3D аватар | Искусственный интеллект Canva, MidJourney и др.
ПРОСТО о дизайне в Canva
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2
Как получать резкие фотографии? 8 параметров
Olegasphoto
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3
Stanley Kubrick A Life in Pictures | Filmmakers Behind the Scenes | Warner Bros. Entertainment
Warner Bros. Entertainment
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4
Insert Sim Card Into The TV and Watch All Channels In The World || Antenna Booster
Innovation Plus One
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5
Ставим речь за 10 минут. Лучшие упражнения для дикции, артикуляции, голоса и дыхания.
Татьяна Мерзлякова
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6
У тебя будет ВСЕ, когда ты поймешь ЭТО — Маргулан Сейсембай
МАРГУЛАН СЕЙСЕМБАЙ
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7
This Old TV Show Has Better Directing Than Anything Today
Moviewise
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8
How I made a Car Short Film in Blender - BTS
Daniel Vesterbaek
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9
when the director is reeeally good at their job
CinemaStix
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10
Roger Deakins and Steven Soderbergh on "Chinatown" (Roman Polanski, 1974)
Cinematographers on cinematography
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11
DaVinci Resolve 17 Color Training - Color Management
Blackmagic Design
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12
Resolve Color Management EASY - BEGINNERS in under 15 minutes.
Darren Mostyn
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13
Resolve Color Management | DaVinci Resolve 17 Tutorial
Waqas Qazi
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14
Как работает ChatGPT: объясняем нейросети просто
RationalAnswer | Павел Комаровский
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15
Лекция Марии Мороз «Искусство XX века: как и когда появилось современное искусство?». Часть 1.
Кластер Октава
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16
Stable Diffusion: Easy to understand BEGINNER TUTORIAL
flomotion
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17
Макарова Наташа
Илья Демин
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18
[Deleted video]
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19
M-Lite Build Tutorial
Filmatura
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20
The Midpoint in Film — 5 Ways to Write a Compelling Act Two
StudioBinder
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21
New AI Video Editing Tools Beyond 2023 (Mind Blowing!)
Premiere Gal
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22
Cinematography Tips From Oscar Winning DP Robert Richardson
AlterCine
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23
How to Light Better Call Saul | Cinematography Breakdown ft. Marshall Adams, ASC
Aputure
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24
Игорь Гринякин - Техника Больших Движений
Илья Демин
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25
[Deleted video]
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26
Как снимать РЕКЛАМУ ПИВА // СНИМАЕМ жидкость в стекле
METKIN Продакшн
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27
StrobiusTUTORIAL | Как это сделано. Часть 2-1 - Предметная съемка, BACARDI
Strobius
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28
Visual Storytelling 101
Film Riot
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29
The Insane Planning That Went Into Full Metal Jacket’s Unique Cinematography
CinemaTyler
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30
John Cleese's War on Wokeism
ReasonTV
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31
ProRes RAW to Davinci Resolve Workflow - Tutorial
Glen Reed
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32
2022.05.26 Lysychansk
The Roundtable — Gonzalo Lira
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33
Top 10 Location Scouting Tools for Cinematographers
Filmmakers Academy
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34
Willem Dafoe Breaks Down His Career, from 'The Boondock Saints' to 'Spider-Man' | Vanity Fair
Vanity Fair
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35
Colour In Storytelling
The House of Tabula
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36
Roger Deakins on How to Choose a Camera Lens — Cinematography Techniques Ep. 8
StudioBinder
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37
How to Storyboard Smarter
Toniko Pantoja
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38
0104 Как удалить или заменить фон на видео без хромакея / Ротоскопинг с помощью нейросети
Таймсейвер
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39
Cinematography Tips From The Irishman DP Rodrigo Prieto
AlterCine
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40
Marty Lobdell - Study Less Study Smart
Pierce College District WA
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41
Blackmagic STUDIO 4K PRO Camera - Новинка 2021 года | Полный обзор
PROLAND-TV
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42
Everything You Need to Know About V-Mount Batteries
DSLR Video Shooter
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43
How to Color Grade iPhone Video | Introductory Color Correction Concepts
Richard Lackey
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44
How to Color Correct FiLMiC Pro LogV2 with the X-Rite ColorChecker Part One
Richard Lackey
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45
[Private video]
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46
Let's Grade HLG In Under 10 Minutes! | Davinci Resolve | HLG3 Rec2020
Tony Dae
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47
Why I Made The Last Dance | The Story Behind The Jordan Documentary
Still Watching Netflix
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48
[Deleted video]
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49
FUSION: THE ULTIMATE BEGINNERS GUIDE - DaVinci Resolve 18 Tutorial
Casey Faris
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50
STORARO MUSES -- by Benjamin B - thefilmbook
thefilmbook
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51
Davinci Resolve 17 Magic Mask
JSFILMZ
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52
DaVinci Resolve 15 - Fusion VFX and Graphics
Blackmagic Design
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53
Q&A: Chayse Irvin Gives INCREDIBLE Cinematography Advice
AlterCine
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54
Photoshop technique for STORYBOARDING pt.2
Shot, Drawn & Cut
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55
Кодек Apple ProRes и ProRes RAW
EriArt
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56
Теория цвета. Часть 1. Что такое цвет?
Pavel Kosenko
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57
Теория цвета. Часть 3. Гармония цвета
Pavel Kosenko
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58
Camera Gear: Every Type of Camera Rig Explained [The Shot List, Ep 5]
StudioBinder
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59
Blackmagic Pocket Cinema Camera 6k, Constant bitrate 8:1 VS Variable bitrate Q5 - TEST
Samuele Apperti
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60
Алексей Савватеев и Роман Юнеман / Если бы я был министром просвещения России
Роман Юнеман
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61
How to Light a Night Scene with Shane Hurlbut ASC [Part 1: Setting Up Your Key Light]
Filmmakers Academy
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62
Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7]
StudioBinder
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63
Big Reason Why Many People Will Never Have A Career In The Film Industry - Shane Stanley
Film Courage
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64
[Private video]
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65
Arri Alexa Mini or RED Komodo
Justin Phillip
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66
RED Komodo vs ARRI Alexa Mini vs Canon C300 mkiii
Justin Phillip
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67
Gobo Plate Media Mount - Welcome to the party!
Matthews Studio Equipment
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68
Роберт Родригес Раскадровка
Центр обучения ReloD г. Киров
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69
Arri Alexa Mini VS BMPCC4K - Graded with BUTTERY Natural Rec709 LUT
Matteo Bertoli
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70
The Sun Sandwich - The Cinematographer's BLT
Wandering DP
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71
How To Get Cinematic Film Look (BLACK Pro-Mist 1/8 and 1/4 Filter)
Brady Bessette
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72
Cinematic Lighting with Just ONE Light
Aputure
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73
10ish Cinematic Lighting Setups... ONLY ONE LIGHT
Potato Jet
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74
8 Film Looks Using 1 Light
Brady Bessette
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75
5 Things That Make A Movie Look Low Budget - Shane Stanley
Film Courage
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76
DRAMATICON: Логлайн и теглайн под новым углом
Rachid Nougmanov
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77
Как Создаются Экшен-Сцены в Кино?
MovieScience
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78
[Private video]
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79
Видеоурок "Восьмерка". Киношкола "Свободное кино"
Свободное кино
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80
The BEST Cinematography Advice From Roger Deakins (His Philosophy of Cinematography)
AlterCine
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81
[Deleted video]
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82
Интервью с гаффером. Q&A. Александр Межинский
Tech Union
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83
[Deleted video]
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84
Blackmagic Pocket Cinema Camera 4K vs Canon C200 | Full Breakdown Discussion
James Jackson Films
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85
Green Screen Car Driving VFX - Easy setup (low budget)
flomotion
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86
Your Stuff Doesn't Look Like This - A Cinematography Breakdown
Wandering DP
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87
Using an iPhone as a tracker for Virtual Production
hyperbolic films
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88
Abstract: The Art of Design | Paula Scher: Graphic Design | FULL EPISODE | Netflix
Netflix
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89
Groundbreaking Films That Defied Cinematic Convention
The House of Tabula
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90
How Lighting Ratios Change Moods in Filmmaking
wolfcrow
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91
Как работа со звуком изменила фильмы Майкла Бэя
...and Action!
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92
ЗАЧЕМ ОПЕРАТОРУ АГЕНТ? Интервью с BLACKLIST MGMT
ОПЕРПОСТ
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93
Amazing Video Lighting Hack Using Mirrors!
DSLR Video Shooter
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94
I AM CUBA (4K, drama, directed by Mikhail Kalatozov, 1964)
Киноконцерн "Мосфильм"
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95
How to ADD YOURSELF into movies | After Effects actor replacement tutorial
Steve Ramsden
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96
MISSING FACE skull effect tutorial (Harvey Two Face, Breaking Bad) | After Effects & Blender
Steve Ramsden
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97
5 simple VFX with a GREEN SCREEN SUIT
Studio 2 Magic
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98
The Story Behind The 'Mission Briefing' Scene | Ep7 | Making Apocalypse Now
CinemaTyler
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99
6 Cinematography Secrets to making a Scary Horror Film
wolfcrow
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100
Как снимали RUSSIAN CYBERPUNK FARM // РУССКАЯ КИБЕРДЕРЕВНЯ — будет ли продолжение?
XYZ
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101
Criterion's The Making Of The Irishman With Scorsese, Pacino, DeNiro and Pesci | Netflix
Still Watching Netflix
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102
The Filmmaker's View: Vittorio Storaro - Balancing technology and art
ARRIChannel
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103
The Filmmaker's View: Vittorio Storaro - Balancing technology and art
ARRIChannel
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104
[Private video]
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105
10 Screenwriting Tips from Quentin Tarantino on how he wrote Pulp Fiction and Inglourious Basterds
Outstanding Screenplays
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106
Laws of Light: Shaping Light with Flags
The Slanted Lens
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107
How Can Fill Light Help A Dark Scene Look Cinematic? (On Any Camera)
Rob Ellis
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108
[Private video]
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109
Director and Camera Operator Ridley Scott on THE DUELLISTS (DoP: Frank Tidy)
Cinematographers on cinematography
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110
На съемках фильма "Война и мир"
Киноконцерн "Мосфильм"
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111
Introducing Freefly Wave - High Speed Camera
Freefly Systems
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101
Criterion's The Making Of The Irishman With Scorsese, Pacino, DeNiro and Pesci | Netflix
Still Watching Netflix
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102
The Filmmaker's View: Vittorio Storaro - Balancing technology and art
ARRIChannel
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103
The Filmmaker's View: Vittorio Storaro - Balancing technology and art
ARRIChannel
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104
[Private video]
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105
10 Screenwriting Tips from Quentin Tarantino on how he wrote Pulp Fiction and Inglourious Basterds
Outstanding Screenplays
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106
Laws of Light: Shaping Light with Flags
The Slanted Lens
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107
How Can Fill Light Help A Dark Scene Look Cinematic? (On Any Camera)
Rob Ellis
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108
[Private video]
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109
Director and Camera Operator Ridley Scott on THE DUELLISTS (DoP: Frank Tidy)
Cinematographers on cinematography
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110
На съемках фильма "Война и мир"
Киноконцерн "Мосфильм"
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111
Introducing Freefly Wave - High Speed Camera
Freefly Systems
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112
Better Call Saul tells stories in a unique way
Behind the Curtain
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113
Shooting "Raiders of the Lost Ark" (with Steven Spielberg & Douglas Slocombe)
Cinematographers on cinematography
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114
Как Кино Использует Время?
MovieScience
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115
How This Film Was Ruined in Editing
This Guy Edits
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116
Director Adam McKay on 'The Big Short'
The Wall Street Journal
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117
Sorkinisms - A Supercut
Kevin T. Porter
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118
Ultimate Guide to Camera Movement — Every Camera Movement Technique Explained [The Shot List Ep6]
StudioBinder
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119
Roger Deakins on "Learning to Light" — Cinematography Techniques Ep. 1
StudioBinder
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120
The Director's Chair - Episode 01 - John Carpenter
Doogian's Documentaries
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121
Saul Bass on Storyboarding Alfred Hitchcock’s Psycho (1960)
Cinematographers on cinematography
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122
Blender Motion Tracking - Room Transformation!
IanHubert
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123
Кино в цветах Андрея Меснянкина. Часть 1
CG ПОДКАСТ №1
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124
One Simple Way to Make Your Lighting Cinematic - Reverse Key Lighting
Rob Ellis
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125
Blender 2.8 Facial motion capture tutorial
CGMatter
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126
Create A Stunning 3D Night City: Blender Eevee Tutorial w/ Shutter Authority | NVIDIA Studio Session
NVIDIA Studio
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127
Russian3DScanner - Создатели Wrap или как сделать автоматическую ретопологию! ZWrap | Wrap | Wrap4D
JCenterS - Компьютерная графика
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128
A conversation with James & Roger Deakins
Cinematographers on cinematography
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129
MEIKE 35MM T2.1 S35 | REVIEW | Prime Cinema lens for the Blackmagic Pocket Cinema Camera 6K
Of Two Lands
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130
The Medium Is The Message: Film Vs. Digital
In Depth Cine
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131
Fujifilm XT4 - A Cinematographer's Review
Aditya Varma
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132
Roger Deakins on "1984" (Michael Radford, 1984)
Cinematographers on cinematography
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133
Vilmos Zsigmond on "McCabe & Mrs. Miller" (Robert Altman, 1971)
Cinematographers on cinematography
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134
Roger Deakins - Behind the Camera
Cinematographers on cinematography
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135
CINEMATIC LENS | SIRUI 50mm f/1.8 ANAMORPHIC | PERFECT CINEMA LENS
Хохлов Сабатовский
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136
Roger Deakins in conversation with Dick Pope on SICARIO
Cinematographers on cinematography
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137
Vittorio Storaro: Cinematography Masterclass
Cinematographers on cinematography
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138
Cinematographer Robert Richardson Breaks Down His Career, from 'Kill Bill' to 'The Hateful Eight'
Vanity Fair
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139
Cinematographer Robert Richardson Breaks Down His Career, from 'Kill Bill' to 'The Hateful Eight'
Vanity Fair
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140
A conversation with Roger Deakins
Cinematographers on cinematography
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141
Anamorphic Lenses for Cinematic Video!
DSLR Video Shooter
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142
Choosing the RIGHT LENS — Why Focal Length MATTERS
Jamie Windsor
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143
[ Fantasia 2020 ] John Carpenter: Masterclass & Lifetime Achievement Award
Fantasia International Film Festival
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144
You should make your FIRST FEATURE FILM in your hometown
David Garcia
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145
Введение в историю искусства НИУ ВШЭ
AL Nik
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146
'The Grand Budapest Hotel' Storyboard Animatics
TheWrap
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147
Раскадровка и Аниматик. Виды аниматиков и их применение. Видео аниматик, Стиломатик, Видеоматик
Российский игровой движок PointJS && Moho Pro
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148
Солнцестояние: культы и религии. Зороастризм, культ медведя-Залмоксиса и болотные люди
Disgusting Men
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149
Cinematography Style: Hoyte Van Hoytema
In Depth Cine
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150
Почему следует снимать в HLG и как его красить в Davinci Resolve
Color Grading DAO
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151
Fujifilm XT3 - Firmware update 2.0 - AN HLG and F-LOG test (in REC 709) -
Aditya Varma
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152
How to make a DIY Light Grid or Egg Crate for under $5 dollars.
Ben Adams
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153
Match Frame in DaVinci Resolve 16 | Quickly Sync Source and Timeline Clips
Jason Yadlovski
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154
Механический или электронный стабилизатор. На что снимать и в каких случаях?
Tech Union
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155
Фокус Tilta nucleus nano обзор на русском. Что такое фоллоу фокус и с чем его едят.
Funny Bugs studio
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156
Roger Deakins: On Cinematography
Maine International Film Festival
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157
Kubrick’s Low-Budget Masterpiece: The Cinematography of A Clockwork Orange (1971)
CinemaTyler
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158
The Spielberg Oner
Every Frame a Painting
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159
ARRI Signature Primes Tech Talk: 4 things you have to know
ARRIChannel
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160
How I Wrote The Social Network (Aaron Sorkin's Writing Process)
Behind the Curtain
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161
[Private video]
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162
КАК СНИМАТЬ ВИДЕО НА ДВИЖКЕ UNREAL ENGINE 4 | СИМУЛЯТОР ОПЕРАТОРА И ВАША КИНОШКОЛА В CINE TRACER!🔥
antipovjay
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163
Иван Поморин 5 вечеров (1 часть)
Илья Демин
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164
Online встреча c оператором-постановщиком Игорем Гринякиным
ГИТР LIVE
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165
ТРЕТЬЯКОВКА с Сергеем Шнуровым / Экскурсия по шедеврам музея
Третьяковская галерея
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166
Edgar Wright - How to Do Visual Comedy
Every Frame a Painting
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167
Arri M18 1800W HMI PAR by Digital Cinema Training
Digital Cinema Training
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168
Back To Basics: Crane Shots Using A Jib | Cinematography Techniques
Shutterstock Tutorials
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169
Онлайн-конференция режиссера Андрея Звягинцева в рамках питчинга дебютантов
Movie Start
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170
Разбор короткого метра Obrit Ever After от 👨🏻🎓в Голливуде
Dmitry Kovalev
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171
Introducing the Aputure 300x
Aputure
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172
POLITICAL THEORY - John Rawls
The School of Life
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173
Наблюдатель. Вадим Юсов. Эфир 18.04.2019
Телеканал Культура
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174
SHOWstudio: Plato's Atlantis by Alexander McQueen
SHOWstudio
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175
What Makes a Viral Music Video? | Hollywood Director Explains
Indy Mogul
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176
True or False: 10 Biggest Myths about Filmmaking
Indy Mogul
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177
What Makes Great Product Cinematography | Commercial Filmmaker Explains
Indy Mogul
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178
[Deleted video]
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179
[Private video]
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180
ОН-ЛАЙН встреча в ГИТРе с Ольгой Добровой-Куликовой
ГИТР LIVE
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181
Blender. О масштабах, размерах и точном моделировании
Vladimir
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182
NYFA Guest Speaker Series: Anthony Richmond
New York Film Academy
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183
Как игровые движки меняют кино. Unreal Engine 4 — убийца зелёного экрана
XYZ
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184
Using the DaVinci Resolve Match Move Plugin
The Finish Line - Post Production
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185
5.5 Титры в Davinci Resolve
Р М
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186
Digital Cinema Show — Episode II — Interview with Robert Richardson, ASC
Digital Cinema Society
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187
Знакомство с DaVinci Resolve 14 - Убираем фон или Хромакей
SK-Hardwired “SKHardwired”
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