Bastiaan Woudt (NL, 1987) has seen a meteoric rises within the world of contemporary photography. After starting his own photography practice from scratch a mere ten years ago, with no experience or formal training, he has developed into a photographer with his own distinct signature style – abstract yet sharp, with a strong focus on detail. As a student of the history of photography through devouring photobooks and visiting museums and fairs, Woudt has a strong preference for classic subjects, such as portraits and nudes, and we see references to illustrious periods from photography throughout his work, such as Surrealism and the documentary photography of the 1960s and 70s. But through a sophisticated use of both camera and post-production techniques, which he has taught himself by heavily experimenting with both, he gives his own graphic and wholly contemporary twist to the classical.
Bastiaan Woudt (NL, 1987) has seen a meteoric rises within the world of contemporary photography. After starting his own photography practice from scratch a mere ten years ago, with no experience or formal training, he has developed into a photographer with his own distinct signature style – abstract yet sharp, with a strong focus on detail. As a student of the history of photography through devouring photobooks and visiting museums and fairs, Woudt has a strong preference for classic subjects, such as portraits and nudes, and we see references to illustrious periods from photography throughout his work, such as Surrealism and the documentary photography of the 1960s and 70s. But through a sophisticated use of both camera and post-production techniques, which he has taught himself by heavily experimenting with both, he gives his own graphic and wholly contemporary twist to the classical.