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Composition, Piano Accompaniment, Harmony, Practical Music T


03:44
๋กœ์ง์œผ๋กœ ๋”ฐ๋ผ ํ•˜๋Š” ๋น„ํŠธ ๋ฉ”์ดํ‚น ์‹œ๋ฆฌ์ฆˆ 02 ํ•™์Šต ํ›„ ์‹ค์Šตํ•˜๊ธฐ
00:35
Jazz Piano 14~16 ํŽ˜์ด์ง€ Afternoon in Paris
01:43
Jazz Piano 10~13 ํŽ˜์ด์ง€ Take The โ€œAโ€ Train
00:38
Jazz Piano 6~9 ํŽ˜์ด์ง€ Don't Get Around Much Anymore
01:32
์‰ฌ์šด ์žฌ์ฆˆ ๋ฐœ๋ผ๋“œ ํ”ผ์•„๋…ธ 96~97 ํŽ˜์ด์ง€ Autumn Leaves
01:14
์žฌ์ฆˆ ๋ฐœ๋ผ๋“œ ํ”ผ์•„๋…ธ & ๊ณก ๋ถ„์„ White Christmas 120~127 ํŽ˜์ด์ง€
02:17
ํ”ผ์•„๋…ธMR Autumn Leaves ์†”๋กœ 134~137 ํŽ˜์ด์ง€
02:47
Don't Get Around Much Anymore ์ฝ”๋“œ์Šค์ผ€์ผ & ์•„๋ฅดํŽ˜์ง€์˜ค ์—ฐ์Šต 148~149 ํŽ˜์ด์ง€
03:27
Don't Get Around Much Anymore ์†”๋กœ & MR 144~147 ํŽ˜์ด์ง€
03:22
Afternoon In Paris ์†”๋กœ & MR 152~155 ํŽ˜์ด์ง€
00:48
Afternoon In Paris ์ฝ”๋“œ์Šค์ผ€์ผ & ์•„๋ฅดํŽ˜์ง€์˜ค ์—ฐ์Šต 156~157 ํŽ˜์ด์ง€
03:26
Autumn Leaves ์ฝ”๋“œ์Šค์ผ€์ผ & ์•„๋ฅดํŽ˜์ง€์˜ค ์—ฐ์Šต 138~140 ํŽ˜์ด์ง€
15:54
์›Œํ‚น ๋ฒ ์ด์Šค Walking Bass 74 ํŽ˜์ด์ง€
01:27
์žฌ์ฆˆ ๋ฐœ๋ผ๋“œ ํ”ผ์•„๋…ธ All the Things You Are 116~118 ํŽ˜์ด์ง€
02:17
Misty ์žฌ์ฆˆ ๋ฐœ๋ผ๋“œ ํ”ผ์•„๋…ธ๋ฅผ ์—ฐ์ฃผํ•˜๋Š” ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๋ฐฉ๋ฒ• ๊ต์žฌ [108~111 ํŽ˜์ด์ง€ ์•…๋ณด ์ฐธ๊ณ ]
05:39
Drop Two ๋ณด์ด์‹ฑ [93 ํŽ˜์ด์ง€] 03๋ถ„ 30์ดˆ Misty ์‰ฌ์šด ๋ฒ„์ „ 104~106 ํŽ˜์ด์ง€
00:30
ํ”ผ์•„๋…ธ ์•„๋ฅดํŽ˜์ง€์˜ค ์—ฐ์ฃผ ๋ฐฉ๋ฒ• 100~101 ํŽ˜์ด์ง€ Over the Rainbow
01:28
100~101 ํŽ˜์ด์ง€ ์žฌ์ฆˆ ๋ฐœ๋ผ๋“œ ํ”ผ์•„๋…ธ Over the Rainbow
00:37
์Šค์œ™ ์žฌ์ฆˆ ํŠธ๋ฆฌ์˜ค ์—ฐ์ฃผ 18~19 ํŽ˜์ด์ง€ & ํ”ผ์•„๋…ธ ํ˜ผ์ž ์—ฐ์ฃผ 88~90 ํŽ˜์ด์ง€ Afternoon in Paris
02:15
[18~19 ํŽ˜์ด์ง€] ๊ธฐ์ดˆ ์Šค์œ™ ํ”ผ์•„๋…ธ Afternoon in Paris ํ•  ์ˆ˜ ์žˆ์–ด ์žฌ์ฆˆ ํ”ผ์•„๋…ธ
01:16
์Šค์œ™ ์žฌ์ฆˆ ํŠธ๋ฆฌ์˜ค ์—ฐ์ฃผ 16~17 ํŽ˜์ด์ง€ & ํ”ผ์•„๋…ธ ํ˜ผ์ž ์—ฐ์ฃผ 84~87 ํŽ˜์ด์ง€ Don't Get Around Much Anymore
02:21
[16~17 ํŽ˜์ด์ง€] ๊ธฐ์ดˆ ์Šค์œ™ ํ”ผ์•„๋…ธ Don't Get Around Much Anymore ๊ต์žฌ ํ•  ์ˆ˜ ์žˆ์–ด ์žฌ์ฆˆํ”ผ์•„๋…ธ
01:45
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 19 143 ํŽ˜์ด์ง€
01:59
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 18 141 ํŽ˜์ด์ง€
04:55
๋ชฉ๊ด€์•…๊ธฐ ๋ฐ”์ˆœBassoon 61~63 ํŽ˜์ด์ง€
02:54
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 11 131 ํŽ˜์ด์ง€
01:09
์ž‘๊ณก ์‹ค์Šต ์˜ค์ผ€์ŠคํŠธ๋ผ [๋‚˜๋น„์•ผ] 244~248 ํŽ˜์ด์ง€
01:22
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 13 136 ํŽ˜์ด์ง€
03:16
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 14 137 ํŽ˜์ด์ง€
00:51
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 16 138 ํŽ˜์ด์ง€
06:25
ํ˜„์•…๊ธฐ ์ฒผ๋กœVioloncello
01:46
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 4 105 ํŽ˜์ด์ง€
01:29
[์ž‘๊ณก ์‹ค์Šต] ์˜ค์ผ€์ŠคํŠธ๋ผ ์ฆ๊ฑฐ์šด ๋‚˜์˜ ์ง‘
00:59
์ž‘๊ณก ์‹ค์Šต ๋™์ผ ์Œํ˜•
01:25
์ž‘๊ณก ์‹ค์Šต ์˜ค์ผ€์ŠคํŠธ๋ผ ์˜ํ™”์Œ์•… ๋ชฉ๊ด€์•…๊ธฐ 218~229 ํŽ˜์ด์ง€
00:50
์ž‘๊ณก ์‹ค์Šต ์˜ค์ผ€์ŠคํŠธ๋ผ ์˜ํ™”์Œ์•… ํƒ€์•…๊ธฐ 200~209 ํŽ˜์ด์ง€
21:08
๋Œ€์„ ์œจ์„ ํ™œ์šฉํ•œ ์ŠคํŠธ๋ง ํŽธ๊ณก๋ฒ• ๊ต์žฌ 180~182 ํŽ˜์ด์ง€
02:03
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 10 121 ํŽ˜์ด์ง€
00:40
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 15 138 ํŽ˜์ด์ง€
24:07
ํƒ€์•…๊ธฐPercussion 80~96 ํŽ˜์ด์ง€
00:45
์˜ค์ผ€์ŠคํŠธ๋ผ ์˜ํ™”์Œ์•… ์ž‘๊ณก ์‹ค์Šต -ํ˜„์•…๊ธฐ- 210~217 ํŽ˜์ด์ง€
04:10
ํ˜„์•…๊ธฐ ํŽธ๊ณก ์‹ค์Šต 22 165 ํŽ˜์ด์ง€
04:30
ํ˜„์•…๊ธฐString 24~39 ํŽ˜์ด์ง€
05:35
๊ธˆ๊ด€์•…๊ธฐBrass 64~69ํŽ˜์ด์ง€
06:00
๋ชฉ๊ด€์•…๊ธฐWoodwind 40~49 ํŽ˜์ด์ง€
08:25
์˜ค์ผ€์ŠคํŠธ๋ผ ์˜ํ™”์Œ์•… ์ž‘๊ณก ์‹ค์Šต -๊ธˆ๊ด€์•…๊ธฐ- 190~199 ํŽ˜์ด์ง€
03:15
[์‹ ๊ฐ„์•ˆ๋‚ด] ์˜ค์ผ€์ŠคํŠธ๋ผ ์•…๊ธฐ๋ก  ์˜ํ™”์Œ์•… ์ž‘๊ณก ์‹ค์Šต -์˜ค๋ฆฌ์—”ํ…Œ์ด์…˜-
02:54
์ฝ”๋“œ ์Šค์ผ€์ผ์˜ ์ดํ•ด [๊ต์žฌ 20~45p] ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
04:47
์„ธ์ปจ๋”๋ฆฌ ๋„๋ฏธ๋„ŒํŠธ ์„ธ ๋ฒˆ์งธ ๊ฐ•์˜ ๊ต์žฌ ์‹ค์šฉ์Œ์•… ์ด๋ก  100~101 ํŽ˜์ด์ง€ ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
01:11
์ „์กฐ Modulation ๊ต์žฌ 83~85 ํŽ˜์ด์ง€ ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
05:35
์„ธ์ปจ๋”๋ฆฌ ๋„๋ฏธ๋„ŒํŠธ ์ฒซ ๋ฒˆ์งธ ๊ฐ•์˜ [๊ต์žฌ ์‹ค์šฉ์Œ์•… ์ด๋ก  ๋ฉ”์ด์ ธ ํŽธ 97 ํŽ˜์ด์ง€]
13:56
์„ธ์ปจ๋”๋ฆฌ ๋„๋ฏธ๋„ŒํŠธ ๊ธฐ๋Šฅ์˜ ๋””๋ฏธ๋‹ˆ์‰ฌ [๊ต์žฌ 138~143p] ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
49:34
๋ชจ๋‹ฌ ์ธํ„ฐ์ฒด์ธ์ง€ Modal Interchange [๊ต์žฌ105~108 ํŽ˜์ด์ง€] ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
07:40
์ต์Šคํ…๋””๋“œ ๋„๋ฏธ๋„ŒํŠธExtended Dominant [๊ต์žฌ] 126~131 ํŽ˜์ด์ง€ ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
19:38
๋„๋ฏธ๋„ŒํŠธ ๊ธฐ๋Šฅ์˜ ๋””๋ฏธ๋‹ˆ์‰ฌ [๊ต์žฌ 132~137 ํŽ˜์ด์ง€] ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
09:19
๋””๋ฏธ๋‹ˆ์‰ฌ ์ฝ”๋“œ & ์Šค์ผ€์ผ ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
26:39
๋ฉœ๋กœ๋””๋ถ„์„ Melody Analysis ์–ดํ”„๋กœ์šฐ์น˜, ๋น„ํ™”์„ฑ์Œ, ๊ฒฝ๊ณผ์Œ 54~59p ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ
40:06
์„ญ์Šคํ‹ฐํŠœํŠธ ๋„๋ฏธ๋„ŒํŠธ Substitute Dominant [๋ฆฌ๋””์•ˆโ™ญ7 ์Šค์ผ€์ผ] ๊ต์žฌ 122~125p ๊ฐ€๋“๋ฎค์ง ์ถœํŒ์‚ฌ
11:55
2 5 1 ์ด๋ก  & ์‹ค๊ธฐ (โ…ก โ…ค โ… ) ํˆฌ ํŒŒ์ด๋ธŒ ์› -๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ-
14:44
๊ฑฐ์ง“ ๋งˆ์นจ Deceptive Cadence ๊ต์žฌ 86~ 95 ํŽ˜์ด์ง€ ๊ฐ€๋“๋ฎค์ง์ถœํŒ์‚ฌ