About
A composer & sound designer for games, film, television, and advertising, his sound design work for the survival horror game Liquidators was nominated for āBest Sound Design for an Indie Gameā at the 2021 Game Audio Network Guild awards. The game received praise for its uncanny atmosphere and unsettling soundtrack. Graham has also composed for a range of films, including psychological thriller Cereal, (dir. Dusan Brown) horror film Crazy Car (dir. James Osborne), and Chinese documentary Daiās Garden (dir. Ruohan Xu). His music has been heard on major networks, including The Contender, Paradise Hotel, and Cannonball.
Beyond music for media, Graham is a keyboardist and orchestrator for LA-based metal bands Our Dying World and Awake Through Sleep. His roots in progressive metal often seeps into his game/film music work, making frequent use of odd time signatures, jarring rhythms, and dissonance.
Fav. quote: "Don't score the gallop - score the fear of the rider" -Jerry Goldsmith
A composer & sound designer for games, film, television, and advertising, his sound design work for the survival horror game Liquidators was nominated for āBest Sound Design for an Indie Gameā at the 2021 Game Audio Network Guild awards. The game received praise for its uncanny atmosphere and unsettling soundtrack. Graham has also composed for a range of films, including psychological thriller Cereal, (dir. Dusan Brown) horror film Crazy Car (dir. James Osborne), and Chinese documentary Daiās Garden (dir. Ruohan Xu). His music has been heard on major networks, including The Contender, Paradise Hotel, and Cannonball.
Beyond music for media, Graham is a keyboardist and orchestrator for LA-based metal bands Our Dying World and Awake Through Sleep. His roots in progressive metal often seeps into his game/film music work, making frequent use of odd time signatures, jarring rhythms, and dissonance.
Fav. quote: "Don't score the gallop - score the fear of the rider" -Jerry Goldsmith