14:02

Posture? Posture.. Posture!

09:48

2nd Position: La Folia by Corelli

06:59

Half Shift Technique: Tchaikovsky Concerto

04:34

Bow Stokes as Dynamics: Wieniawski Caprice no.4

08:57

Fast Arpeggios on G String: Wieniawski Caprice no.4

07:44

Chords with Fast Down Bows: Bruch Concerto

09:14

Left Hand Frame in 4th Position: Schradieck no.12

12:11

5 Tips to Control Shaky Bow at Shifting : Handel Sonata no. 4, 3rd mov Larghetto

07:34

3 Tips for Relaxed Double Stops: Mazas Book 3. no.63

10:15

Am I Too Old to Learn?

11:15

Improve Your Counting: Dance of the Sugar Plum Fairy by Tchaikovsky

10:24

5 Tips for Arpeggio Practice : Bb minor and Bb Major 3 Octave Arpeggios

05:33

Ideal Bow Grip near Frog? : Vocalise by Rachmaninoff

06:16

3 Tips for Fingered Octaves: Wieniawski Concerto no.2

08:47

Why We Need 2 Music to Practice? : Chopin Nocturne no.20

06:06

Making Double Stop Shifting Easier: Spanish Dances by Sarasate

05:55

Legato, Ricochet, Flying Staccato and Spiccato: Introduction et Tarantelle by Sarasate

09:14

How to Ricochet: The Round of the Goblins by Bazzini

06:05

3 Tips in High Positions on G String: The Old Refrain by Kreisler

09:04

Mozart Spiccatos: Rondo by Mozart, arr. by Kreisler

07:47

3 Tips in Fast Passages with Double Stops : Prelude and Allegro by Kreisler

06:48

Musical Fingering vs Technical Fingering : Paganini Sonata op.3, no.6

06:48

3 Important Bow Techniques in Fugue : Bach Solo Sonata no.1, 2nd mov Fugue

06:31

Having a Slipping Finger When Vibrating?

09:05

5 Things to Avoid in Sight Reading: Mozart Divertimento K.136

04:25

Technique of Descending Scales: Paganini Caprice no.24 , var. 4

06:27

5 Checklist for Expressive Tone: Largo (Ombra mai fu) by Handel

06:38

2 Easily Missed Points for Strong Resonant Tone in High Positions: Thais Meditation

09:47

Forgotten Treasure of French Method: Beriot op.102

09:14

Keeping Fingers Close to Strings with Dounis? : Mazas no.16 (no.19 in different version)

07:07

Flying Staccato from Upbow Staccato: Kayser no.33

13:02

If you Can Play it Slow, You Can Play it Fast??: Bach Solo Partita no.3, Prelude

11:40

5 Checklist to Control Unintentional Skittering Bow

09:10

When to Use Long Bows and Short Bows?: Vivaldi Concerto no.3, RV310

08:36

How to Vibrate Harmonics (natural and artificial): Czardas by Monti

07:21

Controlling Overly Bouncy Bow: Introduction et Rondo Capriccioso by Saint-Saens

06:41

3 Steps to Big, Resonant Tone: Brahms Hungarian Dance no.1

08:45

Low 2nd and High 2nd finger: Silver Bells

05:42

Understandable Chords: Praeludium und Allegro by Pugnani-Kreisler

07:46

On the String and Off the String: Mozart Concerto no.3

05:16

"Gruppetto" in Mozart: Eine Kleine Nachtmusik, 4th mov

05:49

Strong and Fast Chords: Brahms Concerto

06:45

F Major 3 Octave Scale by Flesch

06:13

4 Octave G Melodic Minor Scale by Galamian

15:36

Proper Violin Holding? No Shoulder Rest??

11:49

Low 2nd finger with 4th finger??: Wohlfahrt no.18

07:34

Figure 8 Bowing for All Fast Notes?? : Wohlfahrt no.15

07:00

Right Thumb Pushing Through the Bow?

07:23

3 Ways of Holding the Violin and the Bow in One Hand

13:29

Arpeggios: Major, Minor, Dominant 7th, Diminished 7th and more

12:06

Unlocking Stiff Right Thumb

06:59

Ricochet, Spiccato to/from Legato: La Campanella by Paganini

08:33

Beautiful 5th Playing: Bach Minuet in G

02:58

Having a Slipping Shoulder Rest Issue?

12:20

Proper Body Alignment with the Violin

10:35

3 Tips for Two Upbow Staccatos: Saint Saens, Long Long Ago

09:16

Playing 5th, Barred Finger or Not??: Bach Solo Sonata no.3 Allegro Assai

08:14

3 Tips for Good 3rd, 4th Finger Intonation: Sevcik op.6, no.56

09:35

Reliable 1st Finger: Melodie by Tchaikovsky, The Two Grenadiers by Schumann

11:11

3 Steps to Control Bow Weight